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	<title>Rosemaryhollidayhall</title>
	<link>https://rosemaryhollidayhall.com</link>
	<description>Rosemaryhollidayhall</description>
	<pubDate>Mon, 13 Jan 2025 18:08:06 +0000</pubDate>
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		<title>HomePage</title>
				
		<link>https://rosemaryhollidayhall.com/HomePage-3</link>

		<pubDate>Sun, 03 Apr 2022 23:16:32 +0000</pubDate>

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&#38;nbsp;ROSEMARY HOLLIDAY HALL
&#38;nbsp;&#38;nbsp; &#38;nbsp;NEWS &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;EXHIBITIONS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; WORK&#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CV&#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CONTACT +&#38;nbsp; ABOUT &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

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		<title>ABOUT</title>
				
		<link>https://rosemaryhollidayhall.com/ABOUT</link>

		<pubDate>Wed, 05 Jun 2019 22:01:35 +0000</pubDate>

		<dc:creator>Rosemaryhollidayhall</dc:creator>

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		<description>EXHIBITIONS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124; &#38;nbsp; &#38;nbsp;&#38;nbsp; WORK&#38;nbsp; &#38;nbsp; &#124; &#38;nbsp; &#38;nbsp;&#38;nbsp; CV&#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp;︎︎︎ CONTACT + ABOUT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; NEWS &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;










&#60;img width="1125" height="1406" width_o="1125" height_o="1406" data-src="https://freight.cargo.site/t/original/i/a16090642db507b77bf365b7e55a1e24160fa1607e1c99faa9df70d1e81d1d9a/IMG_4176.jpg" data-mid="84514122" border="0"  src="https://freight.cargo.site/w/1000/i/a16090642db507b77bf365b7e55a1e24160fa1607e1c99faa9df70d1e81d1d9a/IMG_4176.jpg" /&#62;&#38;nbsp;Rosemaryhhall AT gmail DOT com
︎Rosemaryhhall

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		<title>Exhibitions</title>
				
		<link>https://rosemaryhollidayhall.com/Exhibitions</link>

		<pubDate>Mon, 16 Mar 2020 22:10:30 +0000</pubDate>

		<dc:creator>Rosemaryhollidayhall</dc:creator>

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		<description>︎EXHIBITIONS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; WORK&#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CV&#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CONTACT&#38;nbsp; + ABOUT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;NEWS Tracing Ways2024
clay, earthenware, player piano, porcelain, risograph print, stoneware, textile
Collaborative Exhibitionwith E. Saffronia Downing&#38;nbsp;
Player piano collaboration with Bret Schneider
Comfort StationChicago, IL&#38;nbsp;
image credit: Mikey Mosher





	


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&#38;nbsp;
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“Walking is how the body measures itself against the earth.”
– Rebecca Solnit, Wanderlust: A Brief History of Walking
Traces of movement, join and disperse– sneakers sink in soft soil, paw prints scamper across the sidewalk, paths of wood-boring beetles embroider a fallen tree. We mark our cohabitation as we criss-cross the continent. 

Tracing Ways, is a site-specific installation that draws attention to the tracks and traces of human and more-than-human cohabitants. Living on parallel coasts, collaborators Rosemary Holliday Hall and E. Saffronia Downing, convene at Comfort Station to weave together a collection of tracks gathered from their disparate environments. 
For these transient artists, Tracing Ways becomes a stopover, referencing Comfort Station’s history as a space for travelers to pause as they moved through the city. Using clay as a recording device, Downing and Hall capture and suspend the ever-flowing motion of beings against the earth.

 
In the Realm of Spiders2024car windows, greenhouse structure, black widow spider silk, brick, oak leaves, metal, porcelain, iron oxide 
Group Exhibitioncurated by Cassandra C. Jones 
Ojai Valley Museum&#38;nbsp;
 Ojai, CA

image credit: Mikael Jorgensen





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“In the Realm of Spiders” invites you to suspend your phobias about arachnids. It is a gesture to ignite wonder and interest in these tiny creatures as a positive force in nature.

Curiosity, over fear, compelled six local artists to create work about spiders. Some explored the geometry of their webs and pondered their unique personalities. Others thought about their powerful contributions to humans as pest control and pollinators. All looked for the good in them as a species. Each acknowledged, in their own way, something special about who spiders are and what they accomplish. By doing so, they urge us to reexamine our view of them, and acknowledge their importance to all life on earth. - Cassandra C. Jones

Artists include:&#38;nbsp;
Joel Fox
Rosemary Holliday Hall
Cassandra C. Jones
Jeff Mann
Steve Sprinkle
Jamie Stratford&#38;nbsp;
Swarm 2024car windows, porcelain, metal 
Site-specific Installation Taft Gardens Art in Nature&#38;nbsp; Residency Exhibition
Taft Gardens Ojai, CA
image credit: Jules Branaman











	&#60;img width="2400" height="1564" width_o="2400" height_o="1564" data-src="https://freight.cargo.site/t/original/i/66d4676fbf499e283afe1ab432f4e3c5b7199d8d5c08dff782108641e5142625/TaftGardensExhibit_56.jpg" data-mid="215524789" border="0"  src="https://freight.cargo.site/w/1000/i/66d4676fbf499e283afe1ab432f4e3c5b7199d8d5c08dff782108641e5142625/TaftGardensExhibit_56.jpg" /&#62;&#60;img width="2400" height="1718" width_o="2400" height_o="1718" data-src="https://freight.cargo.site/t/original/i/403d89852bec6409c407537fecbd9ad593d04305c7c3532f04727d766856e26e/TaftGardensExhibit_05.jpg" data-mid="215524790" border="0"  src="https://freight.cargo.site/w/1000/i/403d89852bec6409c407537fecbd9ad593d04305c7c3532f04727d766856e26e/TaftGardensExhibit_05.jpg" /&#62;&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/9ff9976fed94a2ba39bc82aa6866e1fe391ab16c09e501fc72b7b856ce94512d/TaftGardensExhibit_03.jpg" data-mid="215524791" border="0"  src="https://freight.cargo.site/w/1000/i/9ff9976fed94a2ba39bc82aa6866e1fe391ab16c09e501fc72b7b856ce94512d/TaftGardensExhibit_03.jpg" /&#62;&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/925e5ba832b81e41ff60a159f9108fd79662b74d6d45f7c874e8043585c6d7bf/TaftGardensExhibit_02-1.jpg" data-mid="215524792" border="0"  src="https://freight.cargo.site/w/1000/i/925e5ba832b81e41ff60a159f9108fd79662b74d6d45f7c874e8043585c6d7bf/TaftGardensExhibit_02-1.jpg" /&#62;

Umwelt, coined by biologist Jakob von Uexküll illustrates how every organism perceives the world uniquely, shaped by their distinct sensory faculties.

”… We must first blow a soap bubble around each creature to represent its own world, filled with the perceptions which it alone knows. When we ourselves then step into one of these bubbles, the familiar meadow is transformed. Many of its colorful features disappear, others no longer belong together but appear in new relationships. A new world comes into being.”
 The automobile industry has created its own pervasive bubble, reshaping our environment in significant ways. It has contributed to habitat fragmentation, clouded the atmosphere with emissions, and altered our experience of landscapes through speed. The car window acts as a filter, turning the world into a blur of fleeting impressions.
 Swarm is an installation that examines this transformed landscape. Suspended hand-drawn pollinator insects on porcelain clay-coated car windows, serve as both screens and reflections. This work explores how human and industrial impacts alter our perception of nature and its vitality. The decline of insects reveals our deep connection to a balanced ecosystem.






Encyclia imagosis, Taphonomy&#38;nbsp;2024metal &#38;amp; oxidized textile



Site-specific Installation Taft Gardens Art in Nature&#38;nbsp; Residency ExhibitionTaft Gardens Ojai, CA
image credit: Jules Branaman






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&#60;img width="1225" height="695" width_o="1225" height_o="695" data-src="https://freight.cargo.site/t/original/i/3f0670364f133a289699b74728b0fd24838c78e9330da8ba928d3a16a3198f7d/46B2D57F-EE66-476B-A75E-6D1198554866.jpeg" data-mid="223542282" border="0"  src="https://freight.cargo.site/w/1000/i/3f0670364f133a289699b74728b0fd24838c78e9330da8ba928d3a16a3198f7d/46B2D57F-EE66-476B-A75E-6D1198554866.jpeg" /&#62;
Encyclia imagosis, Taphonomy; &#38;nbsp;a series of oxidizing chrysalis sculptures buried in leaf litter, like a moth pupa, emerge in spring marked by the passage of time, soils, and decomposers.

 


See Dew2023
metal &#38;amp; oxidized textile



Nicrocosms: Studies on Scavenging and Renewal exhibition&#38;nbsp; curated by Tracie Hayes &#38;nbsp;
Bodega Bay Marine Lab&#38;nbsp;
Bodega Bay, CA
image credit: Elizabeth Herring







	&#60;img width="5905" height="3942" width_o="5905" height_o="3942" data-src="https://freight.cargo.site/t/original/i/6b1c2a8b20be6965f188f234a84e11da1ff185f5f746f983bb82e212f5e09b90/nicrocosm_ECH-8601.jpg" data-mid="189263640" border="0"  src="https://freight.cargo.site/w/1000/i/6b1c2a8b20be6965f188f234a84e11da1ff185f5f746f983bb82e212f5e09b90/nicrocosm_ECH-8601.jpg" /&#62;


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See Dew is a human-scale &#38;nbsp;fog collector that takes the form of a Nicrophanous beetle pupa to explore how plants, animals, and humans adapt, collect, and navigate through mystic landscapes of fog. See Dew focuses&#38;nbsp; on seeing what the place does and how the body is embedded in that being.
&#38;gt;&#38;gt;&#38;gt;
N﻿icrocosms: Studies on scavenging and renewal is an outdoor group exhibition showcasing the work of 9 artists engaging with themes related to the life history and ecological research on a scavenging beetle present at the siteBeetles in the genus Nicrophorus, or burying beetles, search for a small carcass that they then bury in the soil in order to reproduce. A pair of burying beetles will work together to defend the rare, ephemeral, and high-nutrient carcass from microbial competitors and other interested organisms. They bury the carcass together and the female will lay eggs nearby. Once the carcass has been protected, buried, and preserved, both parents use the carrion to feed their larvae when they hatch.In my research at the Bodega Marine Reserve, I use experimental chambers in the field to investigate the effects of temperature, competition, resource quality, microhabitat, and fog regime on burying beetle reproductive success. I have been calling these chambers nicrocosms, after Paul E. Hopwood et al.’s 2016 paper in Ecological Entomology. In this paper, nicrocosm is a play off of microcosm or mesocosm, an experimental set-up used in ecology to run controlled manipulations in small spaces that are still relevant to and part of the natural world. The root cosm, though, holds an even greater weight, meaning “world,” “order,” and “universe.” In this way, each nicrocosm in the field encapsulates an entire universe: an answer to an ecological question, the life’s work of an unseen beetle, birth and death, and the passing of time.This exhibition will consist of works that serve as nicrocosms themselves, portals into the often overlooked and misunderstood world of scavengers. Burying beetles, in many ways, are the ultimate scavengers: they rely on and are adapted to a fleeting resource, and they play a crucial role in processing the dead so that those nutrients can be used again by the greater ecosystem. Whether using local and found materials, circular and sustainable processes, visual storytelling, or some combination, each artist provides a novel way to see and experience the living world we are within. - -﻿Tracie Hayes&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

Carbon Copy2023asphalt, basalt, brick, cement, clay, fossilized whale vertebrate, limestone, sandstone, soil, shells, stoneware, shovels, steel, tar, tile

Collaborative Exhibition with Joshua G. Stein curated by Kitty Ross&#38;nbsp;
 AB Projects&#38;nbsp; Los Angeles, CA








	
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Months of conversations between artists Rosemary Holliday Hall, Joshua G. Stein (Radical Craft), and guest curator Kitty Ross revolved around notions of material in geologic, biologic, architectural, atmospheric, and ceramic iterations.

If the landscape consists of the earth and the atmosphere, architecture exists between the two. Material particles—animal, vegetable, and mineral—move between these realms, blurring the boundaries of each. Hardened compounds like limestone were once living creatures. Hermit crabs collect minerals and objects from their surroundings to shield their bodies in a protective enclosure. Humans dig vast pits to harvest materials to erect buildings of the very materials upon which their architecture stands. The cavities are then filled with debris, either deliberately or via the ongoing movement of particles, and the pit becomes a mound. Birds swallow gastroliths as a mechanism for grinding food in their gizzards. Whales, seals and crocodiles are also known to swallow gastroliths, perhaps to serve as ballast. The soft body of an oyster transforms mineral irritants into pearls. Conversely, body ‘stones’ such as gallstones, bladder stones and kidney stones are painful formations of somatic minerals. The human body is geology and, accordingly, we humans are geologic agents.

This exhibition is a poetic examination of the transference, atomization and tracing of materials over time, and a means of questioning how we live, build, make, and evolve in the Anthropocentric landscape. - Kitty Ross


	 Chrysalis lepidoptera
2021video
becoming Feral
 
Digital &#38;amp; Print publication&#38;nbsp; published &#38;amp; designed by Objet-a Creative Studio






	

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Becoming connotes the recurrent act of deconstructing boundaries between bodies, constructing malleable new edges in which both identities exist simultaneously - a continual performance of immanence and difference...Becoming-feral constitutes a line of flight away from individuated and subjugated life forms, which are policed by the logistics of human exceptionalism, towards the messy mystical multiplicity of a world in common, a world of shared and multitudinal ecologies.
- Chessa Adsit-Morris, becoming Feral
now imagine

you’re a caterpillar

filmy eyes,

wet creased wings

slushy slop



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becoming—Feral is a creative research publication which aims to investigate the complex relationships between human/other-animals and the shifting categories of wild/feral/domestic, set within landscapes constantly being altered by global transformations of climate and capitalism. We are interested in exploring reciprocal and responsive multispecies reactions to the act of becoming-Feral.
The becoming—Feral Digital Collection acts as a companion collection to the print publication, presenting multimedia and extended entries of video art, audio/music, interviews, and photographic essays.



	de&#124; composition
2021
performance &#38;amp; printmedia&#38;nbsp;

Sound Scene Fest: Emerge
Group Performance Festival created by DC Listening Lounge&#38;nbsp;
Washington, DC



	


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For Sound Scene Fest: Emerge 2021, DC musicians Sarah Marie Hughes, Nik Francis, Nate Scheible, Corey Thuro, and Luke Stewart were given a score that transposed disease spots on leaves into notation. Drawing from the idea of emergence ( the way small actions create complex systems) the performance engaged in non-hierarchical creative processes, where the role of the composer was dispersed to every musician. Decomposition becoming composition. 
A decaying leaf offers the opportunity for continual iteration, composition, and interpretation.&#38;nbsp;de &#124; composition&#38;nbsp; as an ongoing project that aims &#38;nbsp; to tune a curious listener to the unfurling world of possibility in the earth’s multifaceted ability to communicate.
 &#38;nbsp;





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&#38;nbsp; Interpretations:







Surface Tension
2021video installation &#38;amp; printmedia
Group Exhibition Curated by Pia Singh

Heaven Gallery
Chicago, ILDec 11- Jan 24



	



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music sheet printmedia
Group Show with: Yani Aviles, Ashley Gillanders, Rosemary Holliday Hall, SaraNoa Mark, Galen-Odell Smedley 

The evolution of natural forms and the evolution of human perception have coincided to produce the phenomenon of a potential recognition: what is and what we can see sometimes meet at a point of affirmation. This point, this affirmation, is two-faced: what has been seen is recognized and affirmed, and at the same time the seer is affirmed by what he sees. 
-John Berger, 2016
Surface tension is a condition that is created by an entanglement of electrons. Electrons that are sensitive to the presence of magnetic fields. They entangle, enmesh, proliferate one another, combining and recombining to create different conditions to achieve different states. What state are you in while viewing this exhibit? What state are we in, collectively, in relation to history?
 Rosemary Holliday Hall’s site specific installation ‘Adhesion’ is an assemblage of the artists interest in nature, forms, and patterns, and how humanity interacts with these elements (specifically in conditions of the crisis). Hailing from Los Angeles, Hall spent the initial months of 2020 relocating from Chicago to the West coast. Traversing the country at the beginning of summer, she spent weeks physically immersing herself, bodily processing ‘poesis’ with the earth. According to Heidegger, ‘poesis’ can be found in the blooming of a blossom, or the coming-out of a butterfly from its cocoon. This threshold, the moment ecstasis, is where Hall positions her inquiry. Reflecting on how experience and perception are conditioned by time and repetition, the artist melds the moment of the ‘event’ with a memory of it, while drawing up a conjuring or dream of the same. ‘Permeable Permutations’ captures autumn colored leaves with natural spore variations or bacterial discolorations, arranged as sheet music. What can be heard in a display of warning signs? Could this be read as a tune or is it nature's silent scream, a sort of self-cannibalism in protest of the climate crisis we’re currently experiencing? Hall arranges spotted yellowing leaves as sheet music for the viewer, who is also the player, inviting them to take part in the process of dying. Looking closely at nature during a global pandemic, a civil uprising and a US election year, Hall and her peers' works speak to a variety of concerns. To sit with the experience of non-locality (the basic connectivity of everything in nature), each of us become the determiner of what we choose to see (and be). The observer as the observed. The participant, as maker. The thinker, as doer. - Pia Singh


 &#38;nbsp; &#38;nbsp;&#38;nbsp;River of Shadows, Liquidation
2020 installation: video porcelain slip cast plants, spoons made from smashed pennies and steel, seed packets of native plants 

Group Exhibition&#38;nbsp;
Third Coast Disrupted: Artists + Scientists on Climate curated by Christine Esposito

Glass Curtain Gallery
Chicago, IL

image credit: Columbia College







	


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&#60;img width="8530" height="5687" width_o="8530" height_o="5687" data-src="https://freight.cargo.site/t/original/i/433a6fee7a5e9715f12f249beec164e1548531db4a95c8fbd94e47c8c08d58a3/2website-Rosemary-Holiday-Hall--River-of-Shadows--2020.jpg" data-mid="84513651" border="0"  src="https://freight.cargo.site/w/1000/i/433a6fee7a5e9715f12f249beec164e1548531db4a95c8fbd94e47c8c08d58a3/2website-Rosemary-Holiday-Hall--River-of-Shadows--2020.jpg" /&#62;
&#60;img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/076406e8c2984ae7560e57de3c17c8609b32709457d9a8f99fba932929166cec/6websiteRosemary-Holiday-Hall--Remainant--2020.jpg" data-mid="84509853" border="0"  src="https://freight.cargo.site/w/1000/i/076406e8c2984ae7560e57de3c17c8609b32709457d9a8f99fba932929166cec/6websiteRosemary-Holiday-Hall--Remainant--2020.jpg" /&#62;
&#60;img width="8178" height="5452" width_o="8178" height_o="5452" data-src="https://freight.cargo.site/t/original/i/a9f8e85a9e48783988cd73318203d3e24f48767be6f976b54c32db74bb15320e/4website-Rosemary-Holiday-Hall-Remainant--2020.jpg" data-mid="84509992" border="0"  src="https://freight.cargo.site/w/1000/i/a9f8e85a9e48783988cd73318203d3e24f48767be6f976b54c32db74bb15320e/4website-Rosemary-Holiday-Hall-Remainant--2020.jpg" /&#62;
&#60;img width="8684" height="5789" width_o="8684" height_o="5789" data-src="https://freight.cargo.site/t/original/i/a2996f00cd99c22c40ca2b02fd1195359f9174d85ed44522e6c0981b06b0a636/Website-Rosemary-Holiday-Hall-Seed-Packets.jpg" data-mid="84509852" border="0"  src="https://freight.cargo.site/w/1000/i/a2996f00cd99c22c40ca2b02fd1195359f9174d85ed44522e6c0981b06b0a636/Website-Rosemary-Holiday-Hall-Seed-Packets.jpg" /&#62;
&#60;img width="8178" height="5452" width_o="8178" height_o="5452" data-src="https://freight.cargo.site/t/original/i/a9f8e85a9e48783988cd73318203d3e24f48767be6f976b54c32db74bb15320e/4website-Rosemary-Holiday-Hall-Remainant--2020.jpg" data-mid="84509992" border="0" alt="porcelian casts made from dead plants collected from the street cracks of Chicago, held by spoons made from smashed pennies and steel stakes, video projection , &#38;amp;&#38;nbsp; packets of water retaining native plant species" data-caption="porcelian casts made from dead plants collected from the street cracks of Chicago, held by spoons made from smashed pennies and steel stakes, video projection , &#38;amp;&#38;nbsp; packets of water retaining native plant species" src="https://freight.cargo.site/w/1000/i/a9f8e85a9e48783988cd73318203d3e24f48767be6f976b54c32db74bb15320e/4website-Rosemary-Holiday-Hall-Remainant--2020.jpg" /&#62;&#60;img width="8530" height="5687" width_o="8530" height_o="5687" data-src="https://freight.cargo.site/t/original/i/bb5e0774b94555903eae7b3078af02543aaee683e3e9d8fe3570ab4f47ea8803/3websiteRosemary-Holiday-Hall--River-of-Shadows--2020.jpg" data-mid="84509994" border="0"  src="https://freight.cargo.site/w/1000/i/bb5e0774b94555903eae7b3078af02543aaee683e3e9d8fe3570ab4f47ea8803/3websiteRosemary-Holiday-Hall--River-of-Shadows--2020.jpg" /&#62;
Third Coast Disrupted: Artists + Scientists on Climate is an exhibition of artworks culminating a yearlong conversation between artists and scientists centered on Climate Change impacts in the Chicago region and beyond.Hall’s multimedia installation explores economies and ecologies of water as a subject of tension. As temperatures rise the atmosphere can physically hold more water, which is made visible through extreme weather events, flooding, and drought throughout the planet. In a dark room&#38;nbsp; the viewer is enveloped in the folk song “Goin’ Down the Road Feelin Bad” sung by Ward H Ford. Projected on one wall is a spoon pouring water onto a larger-than-life penny, reaching capacity. The video suggests value systems based in economies of extraction have driven the road we are on to a bad place, a catastrophic tipping point. Accompanying the video is an installation of 108 ceramic casts of water retaining plants and seeds, which ask- how might we plant seeds for a living and more resilient future? Like ghosts of the present, the plants suggest the future of our planet lies in systems of value beyond monetary systems and towards those that value care and an understanding of the inter-being of all organisms.
 


Participating Artists: Jeremy Bolen, Barbara Cooper, Hector Duarte, Rosemary Holliday Hall, N. Masani Landfair, Meredith Leich, Andrew Yang

Participating Scientists: Elena Grossman, MPH; Daniel Horton, Ph.D.; Abigail Derby Lewis, Ph.D.; Aaron Packman, Ph.D.; Katherine Moore Powell, Ph.D; Desi Robertson-Thompson, Ph.D., Phil Willink, Ph.D









	Encylia imagosis&#38;nbsp;
2020&#38;nbsp;metal &#38;amp; oxidized textile


Solo Exhibition curated by Aron Gent&#38;nbsp;

Paris London Hong KongChicago, IL
image credit: PLHK



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&#60;img width="1530" height="1020" width_o="1530" height_o="1020" data-src="https://freight.cargo.site/t/original/i/52ae6b77dda4e8afb5e3591e3452727d887651c6492c7c4a356a93a97c43336e/Rosemary_January_2020_012.jpg" data-mid="63729578" border="0"  src="https://freight.cargo.site/w/1000/i/52ae6b77dda4e8afb5e3591e3452727d887651c6492c7c4a356a93a97c43336e/Rosemary_January_2020_012.jpg" /&#62;
&#60;img width="1530" height="1020" width_o="1530" height_o="1020" data-src="https://freight.cargo.site/t/original/i/583292f9e41cd0b45146a595cdd3508edd2575fac97f2ec3f219e64a6a6e6d15/Rosemary_January_2020_010.jpg" data-mid="63729577" border="0"  src="https://freight.cargo.site/w/1000/i/583292f9e41cd0b45146a595cdd3508edd2575fac97f2ec3f219e64a6a6e6d15/Rosemary_January_2020_010.jpg" /&#62;



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&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/3c5959b4b03c39c0556994bd93a92b56c7274c0e1db05203eaec137bc8d168e2/Rosemary_January_2020_006.jpg" data-mid="63729584" border="0"  src="https://freight.cargo.site/w/1000/i/3c5959b4b03c39c0556994bd93a92b56c7274c0e1db05203eaec137bc8d168e2/Rosemary_January_2020_006.jpg" /&#62;
&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/063bf2f8c3b9215034efb6197ba8bbb718be08bf14125c6675198f9aba33a453/Rosemary_January_2020_008.jpg" data-mid="63729587" border="0"  src="https://freight.cargo.site/w/1000/i/063bf2f8c3b9215034efb6197ba8bbb718be08bf14125c6675198f9aba33a453/Rosemary_January_2020_008.jpg" /&#62;
&#60;img width="4588" height="6882" width_o="4588" height_o="6882" data-src="https://freight.cargo.site/t/original/i/87f6349f047a8cca7137ff50b0290c9f614511d101c223449579f49349473203/Rosemary_January_2020_007.jpg" data-mid="63729585" border="0"  src="https://freight.cargo.site/w/1000/i/87f6349f047a8cca7137ff50b0290c9f614511d101c223449579f49349473203/Rosemary_January_2020_007.jpg" /&#62;
&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/30cdec94068c54eccd1bcdb4f88f09c7092b54285ae89ac30e4cbe37a5defea0/Rosemary_January_2020_003.jpg" data-mid="63729591" border="0"  src="https://freight.cargo.site/w/1000/i/30cdec94068c54eccd1bcdb4f88f09c7092b54285ae89ac30e4cbe37a5defea0/Rosemary_January_2020_003.jpg" /&#62;
&#60;img width="4641" height="6961" width_o="4641" height_o="6961" data-src="https://freight.cargo.site/t/original/i/73ed5cd6def62bfd5411217177b49785a76482c29bf012e0740b383ac0a854a4/Rosemary_January_2020_001.jpg" data-mid="63729598" border="0"  src="https://freight.cargo.site/w/1000/i/73ed5cd6def62bfd5411217177b49785a76482c29bf012e0740b383ac0a854a4/Rosemary_January_2020_001.jpg" /&#62;
&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/64111e69b4aec1db58a2ac665e57984496a7e20e636ba63b0b1425d5470ac352/Rosemary_January_2020_004.jpg" data-mid="63729594" border="0"  src="https://freight.cargo.site/w/1000/i/64111e69b4aec1db58a2ac665e57984496a7e20e636ba63b0b1425d5470ac352/Rosemary_January_2020_004.jpg" /&#62;
&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/5949671acb7ca70e53ae3561b3fc1e42c9cc67f1677ae9c36e87106ac4ad23c9/Rosemary_January_2020_002.jpg" data-mid="63729593" border="0"  src="https://freight.cargo.site/w/1000/i/5949671acb7ca70e53ae3561b3fc1e42c9cc67f1677ae9c36e87106ac4ad23c9/Rosemary_January_2020_002.jpg" /&#62;

On the one hand, Encyclia Imagosis reads like a spell, and on the other the scientific discourse of taxonomy. Encyclia Imagosis stems from Greek, enkykleomai, “to encircle”, imago, imagination’s root, and osis, a suffix denoting a process or condition. Encyclia Imagosis casts a spell on categorical fixity. It proposes a cyclical destabilization and refashioning of imagination’s role in the processes of transformation, like a child’s incantation challenging the malaise of taxonomy.The Codex Seraphinianus is an illustrated encyclopedia of an imaginary world, created by Luigi Serafini, written in a self-invented alphabet. It contains hundreds of hybrids, imaginary and strange beings: a horse transforms into a cocoon, a bird’s nest sprouts legs with yellow sneakers, lovers become a crocodile. Each undergoes metamorphosis, creatively overcoming bodily limits. Many real creatures are stranger than imagined. The caterpillar, for example, encases itself in a chrysalis into which it releases enzymes that digest its own form, liquidating its’ tissues. Only structures called imaginal discs survive, able to reorder the larval soup into a new being. Through this process of imagination, caterpillars push themselves into a different future, the confines of their chrysalis paradoxically enabling their flight forward into the unfamiliar, just as the imagination does for other species.Encyclia Imagosis consists of four human-scale oxidizing chrysalis sculptures. They mark an evolutionary world, where objects are process and forms are dynamic patterns creating symmetries, hybrids, mutations. Through an embodied exploration of the possibilities of reorienting both personal perception and cultural convention, Encyclia Imagosis investigates various ways we make sense of the world and relate to ourselves and others through imagination, metaphor, and material.&#38;nbsp;





	Collabiosis2020
site-specific installation: windshields, steel, garage
locally sourced clay, steel spoons, brick
Solo Exhibition + Artist Residency at The Blue Parrot 

The Blue Parrot&#38;nbsp;
Chicago, ILThis project was made possible thanks to the support of Emilio Williams and Dr. Robert Murphy
image credit: Astro Escuadero
	&#60;img width="6552" height="4368" width_o="6552" height_o="4368" data-src="https://freight.cargo.site/t/original/i/8666d3d90a730c5e2003280bebb2d0bd954fdba3980cd6ae6ebc167e3a84ee18/Windows-full-L.jpg" data-mid="69975034" border="0"  src="https://freight.cargo.site/w/1000/i/8666d3d90a730c5e2003280bebb2d0bd954fdba3980cd6ae6ebc167e3a84ee18/Windows-full-L.jpg" /&#62;&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/e29d37b1396324146db82b6ad0a3a29054fb187b3fa29149dbda8354d644e734/Windows-close-L.jpg" data-mid="69975043" border="0"  src="https://freight.cargo.site/w/1000/i/e29d37b1396324146db82b6ad0a3a29054fb187b3fa29149dbda8354d644e734/Windows-close-L.jpg" /&#62;&#60;img width="6078" height="4052" width_o="6078" height_o="4052" data-src="https://freight.cargo.site/t/original/i/87113e04fa47faf773749cf7bcccd0863c52b3f08ca01cad7f47a9f2dfcdfe6c/Windows-lighht-L.jpg" data-mid="69975042" border="0"  src="https://freight.cargo.site/w/1000/i/87113e04fa47faf773749cf7bcccd0863c52b3f08ca01cad7f47a9f2dfcdfe6c/Windows-lighht-L.jpg" /&#62;



 &#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/b27a19943b45719f7c50bf59838d61f2b91dac7a91566547bce9fa740b30e489/Balls-Collabiosis-fside-L.jpg" data-mid="69975109" border="0"  src="https://freight.cargo.site/w/1000/i/b27a19943b45719f7c50bf59838d61f2b91dac7a91566547bce9fa740b30e489/Balls-Collabiosis-fside-L.jpg" /&#62;&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/b85cb798aa0a61daab24cf0e2503cb132d453184b3329314cf5349674bd6392d/Balls-Collabiosis-L.jpg" data-mid="69975099" border="0"  src="https://freight.cargo.site/w/1000/i/b85cb798aa0a61daab24cf0e2503cb132d453184b3329314cf5349674bd6392d/Balls-Collabiosis-L.jpg" /&#62;&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/e5cf8396648ca84f224194e4397f9c08063e8692e2c2082c74bedff7c4624504/Balls-Collabioisis-full-L.jpg" data-mid="69975097" border="0"  src="https://freight.cargo.site/w/1000/i/e5cf8396648ca84f224194e4397f9c08063e8692e2c2082c74bedff7c4624504/Balls-Collabioisis-full-L.jpg" /&#62;&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/82b8b4da7429d214db60f6d62ff72e99d340265afbaa727df6c11163f7cea529/Ash-L.jpg" data-mid="69975101" border="0"  src="https://freight.cargo.site/w/1000/i/82b8b4da7429d214db60f6d62ff72e99d340265afbaa727df6c11163f7cea529/Ash-L.jpg" /&#62;
The solo exhibition, Collabiosis, culminated a multi-month&#38;nbsp; artist residency at the Blue Parrot in Chicago, IL.
Collabiosis/kəˈlabi ōsis&#124;
A process or condition of collapsing together.
The name of the&#38;nbsp; exhibition, Collabiosis, is an invented word that comes from combining - collabi ( the etymological root
of&#38;nbsp; collapse and collaboration) and&#38;nbsp; osis (a suffix denoting a
process or condition of change). Throughout the exhibition the&#38;nbsp; installations respond to the site and different material histories of&#38;nbsp; Chicago. &#38;nbsp;︎︎︎︎
“A single
animal’s rebellion rendering mass destruction while also clearing the stage for
a phatasmagoric theater of the future. Old Chicago burned to the ground and
modern Chicago grew.”- Hannah B. Higgins
The famous cow
mythology marks a genesis of Chicago’s grid, reflected in its’ brick buildings.
After the devastating fire on October 8,1871 Joseph Mendill proclaimed in the
Chicago Tribune, “Modern Chicago would be a grid.” This
installation presents a spectral reordering of grids that lay beneath Chicago’s
material and discursive history within The Blue Parrot,&#38;nbsp; located on
1924 N Halsted St: 41°55’00.3”N+87°38’55.1”W:3.5 miles away from the Zero-Zero
Point of the Chicago grid. It consists of
unfired spheres made out of clay collected from various open construction sites surrounding The Blue Parrot. These locations representative of the continuous loop of (de)construction in everyday life. The sphere, like a seed acts as a symbol for new beginnings built from long embeded material histories. 
 





	Stigmergy &#124;&#124; The Space Inside Repetition
2020installation: termites, sound, cabinet, book, cds, acrylic 
Public Presentation + Exhibition

Collaboration with Predrag PopovicPhd in Geophysical Sciences  University of Chicago

ASCI University of Chicago
Chicago, IL

This project was made possible thanks to the support of The Art Science and Culture InitiativeInitiative at The University of Chicago and School of the Art Institute of Chicago
image credit: Brittany Laurent


	&#60;img width="3600" height="2399" width_o="3600" height_o="2399" data-src="https://freight.cargo.site/t/original/i/212ea13245c64e576c7d9d5fab072edaa396a807ff3616bf734b65c874a2eecd/WITHOUTCHORD.jpg" data-mid="63785052" border="0"  src="https://freight.cargo.site/w/1000/i/212ea13245c64e576c7d9d5fab072edaa396a807ff3616bf734b65c874a2eecd/WITHOUTCHORD.jpg" /&#62;&#60;img width="2752" height="2873" width_o="2752" height_o="2873" data-src="https://freight.cargo.site/t/original/i/487244773374e63c753018fd4ed63efffc7bd4b521230ebb9a26e390501a0c3a/IMG_3315.jpg" data-mid="63785082" border="0"  src="https://freight.cargo.site/w/1000/i/487244773374e63c753018fd4ed63efffc7bd4b521230ebb9a26e390501a0c3a/IMG_3315.jpg" /&#62;&#60;img width="2947" height="3643" width_o="2947" height_o="3643" data-src="https://freight.cargo.site/t/original/i/e3e5f60a4d490696930904c57ad4a8dfc42471a5405bacf5b3c6b3626c953648/IMG_3342.jpg" data-mid="63785086" border="0"  src="https://freight.cargo.site/w/1000/i/e3e5f60a4d490696930904c57ad4a8dfc42471a5405bacf5b3c6b3626c953648/IMG_3342.jpg" /&#62;&#60;img width="1156" height="1201" width_o="1156" height_o="1201" data-src="https://freight.cargo.site/t/original/i/45a04ee5bcf3e354f4e9020b026fdc1a9004089b4f5b6f27f056b5a0f3273cd2/CE22D9BC-7C0E-4A94-93EB-82D91AE00E84.jpg" data-mid="63785080" border="0"  src="https://freight.cargo.site/w/1000/i/45a04ee5bcf3e354f4e9020b026fdc1a9004089b4f5b6f27f056b5a0f3273cd2/CE22D9BC-7C0E-4A94-93EB-82D91AE00E84.jpg" /&#62;&#60;img width="4243" height="2829" width_o="4243" height_o="2829" data-src="https://freight.cargo.site/t/original/i/97e49e9f70a247731b1d508048c4708a9b427706deb4940e31590cce1a5ee397/DSC_6558_1.jpg" data-mid="63785088" border="0"  src="https://freight.cargo.site/w/1000/i/97e49e9f70a247731b1d508048c4708a9b427706deb4940e31590cce1a5ee397/DSC_6558_1.jpg" /&#62;&#60;img width="2104" height="2435" width_o="2104" height_o="2435" data-src="https://freight.cargo.site/t/original/i/ac6c2da511db405c84150004bcd68c163af1845b1a31e48b31420fe3ae160776/IMG_3308.jpg" data-mid="63785087" border="0"  src="https://freight.cargo.site/w/1000/i/ac6c2da511db405c84150004bcd68c163af1845b1a31e48b31420fe3ae160776/IMG_3308.jpg" /&#62;
The patterns of bird flocking, microbial growth, and insect colonies have captured the human imagination for centuries. &#38;nbsp;These patterns demonstrate swarm intelligence, a process where an emergent order arises from seemingly random biological activity, and where apparently dissimilar systems can show very similar behaviour. Predrag Popovic (PhD candidate, Geophysical Sciences, UChicago) and Rosemary Hall ’s (MFA ‘19, Printmedia, SAIC) research focused on the oldest eusocial insect, the termite, and stigmergy (a key concept in the field of swarm intelligence).The collaboration resulted in a multimedia installation, which included a sound filtering algorithm modeled after stigmergy and a library of books eaten by live termites. The termites ate a book from Life Nature Series, titled, The Universe.Cellulose pages and maps of the cosmos were submitted to termite editing. In time, the termites consumed and created their own architecture out of The Universe.
Through wondering in a termite’s wandering this collaboration searched for hybrid, inbetween, and experimental, translations that invite a broader spectrum of interpretation. Our flesh, our limbs, our movements are inscribed with a multispecies history. The pattern which connects may be best articulated through the poetry of interspecies relations, movements and behaviour.








	A Predicament of Pressure&#38;nbsp;2019&#38;nbsp;locally souced clay, steel spoons, engraved Chicago common brick &#38;nbsp;

MFA Thesis Exhibition

Sullivan Galleries
Chicago, IL


image credit: Astro Escudero

	

&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/5cdd965539ee7b710c44c44542b10e06704762a09f940049ab3cc318f71a21ba/_O9A2910.jpg" data-mid="63729972" border="0"  src="https://freight.cargo.site/w/1000/i/5cdd965539ee7b710c44c44542b10e06704762a09f940049ab3cc318f71a21ba/_O9A2910.jpg" /&#62;&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/0913b4dc1b3e9144dd8504cba05f393cda4458e3abc82e9193046cba0f347062/_O9A2939-V1.jpg" data-mid="63729975" border="0"  src="https://freight.cargo.site/w/1000/i/0913b4dc1b3e9144dd8504cba05f393cda4458e3abc82e9193046cba0f347062/_O9A2939-V1.jpg" /&#62;&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/36643523bd168d1f402c85fa5ec69b81758398adfcb8f2fa5e0eabea63511887/_O9A2972.jpg" data-mid="63729977" border="0"  src="https://freight.cargo.site/w/1000/i/36643523bd168d1f402c85fa5ec69b81758398adfcb8f2fa5e0eabea63511887/_O9A2972.jpg" /&#62;&#60;img width="1800" height="2404" width_o="1800" height_o="2404" data-src="https://freight.cargo.site/t/original/i/a04a6335fb3bb6f532ff41b16b5d91252440f5b41b5d7e5a3afe8334e689a659/There-is-a-belief.jpg" data-mid="63729988" border="0"  src="https://freight.cargo.site/w/1000/i/a04a6335fb3bb6f532ff41b16b5d91252440f5b41b5d7e5a3afe8334e689a659/There-is-a-belief.jpg" /&#62;
clay collected from construction sites in chicago, metal, engraved chicago common brick


	The Issue You Mentioned Earlier
2019Installation: video, fuse box, acrylic, metal, projection, mushrooms

Two- Person Exhibition&#38;nbsp; collaboration with Alberto Trejo Oretga


Space P11 Chicago, IL&#38;nbsp;
image credit: Brittany Laurent and Alberto Ortega


	
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/6c0085aac733f30a1a9b8368e0c2d7b76fd672e6b13f5e318d9dd722d8578e11/Rosemary_studio-documentation-7-of-66-copy.jpg" data-mid="63730481" border="0"  src="https://freight.cargo.site/w/1000/i/6c0085aac733f30a1a9b8368e0c2d7b76fd672e6b13f5e318d9dd722d8578e11/Rosemary_studio-documentation-7-of-66-copy.jpg" /&#62;&#60;img width="2400" height="3600" width_o="2400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/8f459babb815042ab19e3176ce429a16def793243d081c5cc368795d35264f7d/Rosemary_studio-documentation-33-of-66-copy.jpg" data-mid="63730493" border="0"  src="https://freight.cargo.site/w/1000/i/8f459babb815042ab19e3176ce429a16def793243d081c5cc368795d35264f7d/Rosemary_studio-documentation-33-of-66-copy.jpg" /&#62;

&#60;img width="3600" height="2401" width_o="3600" height_o="2401" data-src="https://freight.cargo.site/t/original/i/4d3e2415360154fd3c76ba3d4d69ab02d46cc05ba51ffd586dcff7297042a297/Rosemary_studio-documentation-34-of-66-copy.jpg" data-mid="63730492" border="0"  src="https://freight.cargo.site/w/1000/i/4d3e2415360154fd3c76ba3d4d69ab02d46cc05ba51ffd586dcff7297042a297/Rosemary_studio-documentation-34-of-66-copy.jpg" /&#62;&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/55fd79ca6571b760e4bdd30da9fb6c5457407511d6987f7707d782a79ef6db82/DSC00030.JPG" data-mid="63730489" border="0"  src="https://freight.cargo.site/w/1000/i/55fd79ca6571b760e4bdd30da9fb6c5457407511d6987f7707d782a79ef6db82/DSC00030.JPG" /&#62;&#60;img width="1630" height="2157" width_o="1630" height_o="2157" data-src="https://freight.cargo.site/t/original/i/4a2d9ade308650ec1fea358911d68fcf907e233845f1c46ba468d8ac5fe8dbf9/Cofferdam.png" data-mid="63726297" border="0"  src="https://freight.cargo.site/w/1000/i/4a2d9ade308650ec1fea358911d68fcf907e233845f1c46ba468d8ac5fe8dbf9/Cofferdam.png" /&#62;&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/cb551aecc6816bc323bb8bd55a512643d86a9288a81f372b4387eaa0fda3d896/DSC00036.JPG" data-mid="63730490" border="0"  src="https://freight.cargo.site/w/1000/i/cb551aecc6816bc323bb8bd55a512643d86a9288a81f372b4387eaa0fda3d896/DSC00036.JPG" /&#62;Installation: video, fuse box, acrylic, metal, projection, mushrooms

On March 19th, 2015, Florida’s emergency management chief Bryan Koon testified before the State Senate Budget Subcommittee on the news that the Federal Emergency Management Agency would pull federal funding from states that refuse to directly address climate change.In alignment with his position of climate change denial, Koon went through a series verbal gymnastics to avoid using the scientific term for our current catastrophic path in his statements.A scaled steel cofferdam displays phrases exchanged in official emails by climate change deniers in the US Senate. Such phrases are projected over a melted piece of ice, residue of the Polar Vortex that hit Chicago one week before the opening of the show. Thuribles for a poisonous mushroom colloquially known as Destroying Angel embody the abstract threat of climate change. The gallery’s circuit box frames a nilometer that measures the scales of an Ideal Flood and a two channel video installation loops the works “Catastrophic Ice Formation” and “Order is human.”




	Noise of Dust
2019weather balloon, wood armature, white noise projection
 

Group Exhibition with Carbon Copy Collective
&#38;nbsp;

Nathan’s Basement 
Chicago, IL
Image Credit: Woojin Shin



	&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/1b5360ed806416b81d5e842464e9ca74eec58eb85990fc95be4abeb0de090834/IMG_4126.jpg" data-mid="63730547" border="0"  src="https://freight.cargo.site/w/1000/i/1b5360ed806416b81d5e842464e9ca74eec58eb85990fc95be4abeb0de090834/IMG_4126.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/9b38dec0c60b615320b98259503be29bac9c902eca6e30aec225e1e1ad94ca5b/IMG_4211.jpeg" data-mid="63730548" border="0"  src="https://freight.cargo.site/w/1000/i/9b38dec0c60b615320b98259503be29bac9c902eca6e30aec225e1e1ad94ca5b/IMG_4211.jpeg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/b3775b87fbed56a4eb4d885399299a39a8388b7c962b3a7d4ef794ba9cbdce03/IMG_4186.jpeg" data-mid="63730549" border="0"  src="https://freight.cargo.site/w/1000/i/b3775b87fbed56a4eb4d885399299a39a8388b7c962b3a7d4ef794ba9cbdce03/IMG_4186.jpeg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/eb77671d1db7f8f73c9e9f057dc0fa6341fd3c519c3403681e2720fb49ef6679/IMG_4101.jpg" data-mid="63730515" border="0"  src="https://freight.cargo.site/w/1000/i/eb77671d1db7f8f73c9e9f057dc0fa6341fd3c519c3403681e2720fb49ef6679/IMG_4101.jpg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/e8d02ccc43f5b61610d4ff174c0165d3b28f92635281e2ff8bf8481ceb080162/IMG_4053.jpg" data-mid="63730514" border="0"  src="https://freight.cargo.site/w/1000/i/e8d02ccc43f5b61610d4ff174c0165d3b28f92635281e2ff8bf8481ceb080162/IMG_4053.jpg" /&#62;



	
Die Prosperous
2020locally harvested clay interventions, brick dust, plastic bag, metal hooks, rocks
 

Group Exhibition with Carbon Copy Collective
UGLY

Chicago, ILimage credit: Astro Escuadero


	&#60;img width="954" height="636" width_o="954" height_o="636" data-src="https://freight.cargo.site/t/original/i/bccd9c1fd0701553dad008a7c26adc29bd55d2ea3e216ff2a1335891a226fc7f/Die-p-5.JPG" data-mid="63730686" border="0" data-scale="100" src="https://freight.cargo.site/w/954/i/bccd9c1fd0701553dad008a7c26adc29bd55d2ea3e216ff2a1335891a226fc7f/Die-p-5.JPG" /&#62;&#60;img width="954" height="636" width_o="954" height_o="636" data-src="https://freight.cargo.site/t/original/i/b23edd69f38dc5fcd3a74112052e83a76bc4408363209511f50cf068cfe6043a/Die-p-4.JPG" data-mid="63730691" border="0"  src="https://freight.cargo.site/w/954/i/b23edd69f38dc5fcd3a74112052e83a76bc4408363209511f50cf068cfe6043a/Die-p-4.JPG" /&#62;&#60;img width="915" height="636" width_o="915" height_o="636" data-src="https://freight.cargo.site/t/original/i/d8cd27067233fa455d1248c5bca3e18839e45c059927098698c61cadb839447d/Die-P-6.JPG" data-mid="63730685" border="0"  src="https://freight.cargo.site/w/915/i/d8cd27067233fa455d1248c5bca3e18839e45c059927098698c61cadb839447d/Die-P-6.JPG" /&#62;&#60;img width="954" height="636" width_o="954" height_o="636" data-src="https://freight.cargo.site/t/original/i/dfc56c9890a9624c9979f80618ac88d72357e3bf982d6cd9b8fafe5c113848d5/Die-P-3.JPG" data-mid="63730688" border="0"  src="https://freight.cargo.site/w/954/i/dfc56c9890a9624c9979f80618ac88d72357e3bf982d6cd9b8fafe5c113848d5/Die-P-3.JPG" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/8d87124a91ee114c71890718b955ae5046f14771162b51280aa43006ce963f4a/_MG_7775.JPG" data-mid="63730687" border="0"  src="https://freight.cargo.site/w/1000/i/8d87124a91ee114c71890718b955ae5046f14771162b51280aa43006ce963f4a/_MG_7775.JPG" /&#62;&#60;img width="721" height="1080" width_o="721" height_o="1080" data-src="https://freight.cargo.site/t/original/i/72702bc49b5ee894e35c248f444f09e6e3f0b5b8d3374ce69ef37fc97918c8c0/_MG_7831.JPG" data-mid="63730683" border="0"  src="https://freight.cargo.site/w/721/i/72702bc49b5ee894e35c248f444f09e6e3f0b5b8d3374ce69ef37fc97918c8c0/_MG_7831.JPG" /&#62;
The show's title is a mondegreen of "Diprosopus," the rare medical condition of two-headedness.


A Positive Negative2018
locally harvested clay, blown glass, barn door
OxBow Fellowship ExhibitionSaugutuck Arts Center Saugutuck, MI





	&#60;img width="5999" height="3993" width_o="5999" height_o="3993" data-src="https://freight.cargo.site/t/original/i/589141828afc6be441bc6e4c4ca7049ca4e0e72526bdd23ffa8dc72f964c96d6/Hall.Image5.CR.jpg" data-mid="223554608" border="0"  src="https://freight.cargo.site/w/1000/i/589141828afc6be441bc6e4c4ca7049ca4e0e72526bdd23ffa8dc72f964c96d6/Hall.Image5.CR.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f2d246acd1c83178e0866c54fcfd5d69660e95f9e53447d0b4829f70997155a5/_DSC0044.JPG" data-mid="223554612" border="0"  src="https://freight.cargo.site/w/1000/i/f2d246acd1c83178e0866c54fcfd5d69660e95f9e53447d0b4829f70997155a5/_DSC0044.JPG" /&#62;&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/456fb381347cdc8f423c3b40758cd11fc4e47cb8a65c041d925f9dd1f5828508/IMG_4854.jpg" data-mid="223554611" border="0"  src="https://freight.cargo.site/w/1000/i/456fb381347cdc8f423c3b40758cd11fc4e47cb8a65c041d925f9dd1f5828508/IMG_4854.jpg" /&#62;&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/796cb86d1b26250a47b5666e0c7aa465f3b8c0a596dacf37c13a7ac86af98c0b/IMG_5061-2.jpg" data-mid="223554609" border="0"  src="https://freight.cargo.site/w/1000/i/796cb86d1b26250a47b5666e0c7aa465f3b8c0a596dacf37c13a7ac86af98c0b/IMG_5061-2.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Work</title>
				
		<link>https://rosemaryhollidayhall.com/Work</link>

		<pubDate>Mon, 16 Mar 2020 02:42:50 +0000</pubDate>

		<dc:creator>Rosemaryhollidayhall</dc:creator>

		<guid isPermaLink="true">https://rosemaryhollidayhall.com/Work</guid>

		<description>
EXHIBITIONS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp;︎ WORK&#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CV&#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CONTACT +ABOUT &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124; &#38;nbsp; &#38;nbsp;&#38;nbsp;NEWS</description>
		
	</item>
		
		
	<item>
		<title>cv</title>
				
		<link>https://rosemaryhollidayhall.com/cv</link>

		<pubDate>Wed, 05 Jun 2019 22:01:34 +0000</pubDate>

		<dc:creator>Rosemaryhollidayhall</dc:creator>

		<guid isPermaLink="true">https://rosemaryhollidayhall.com/cv</guid>

		<description>
	
EXHIBITIONS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124; &#38;nbsp; &#38;nbsp;&#38;nbsp; WORK&#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp;  ︎&#38;nbsp; CV&#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CONTACT + ABOUT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; NEWS &#38;nbsp; &#38;nbsp; &#38;nbsp;
	
	
&#38;nbsp;Ojai, CA &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 




Education


MFA
- School of the Art Institute of Chicago – 2019 



BFA
- University of California, Davis – 2013



&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Double Minor in Environmental Horticulture and Education
Royal Drawing School – Royal Drawing School
Fellowship- 2015







 
Solo and Two-Person Exhibitions
2026 Bodies Become Dust&#38;nbsp;( forthcoming) Carolyn Glasoe Bailey Foundation &#124;&#124; Ojai, CA2026 Emerger, Nemeth &#124;&#124; Park Rapids, MN

2024 Tracing Ways, collaboration with E. Saffronia Downing, Comfort Station &#124;&#124; Chicago, IL
2024 &#38;nbsp;Taphonomy, Spore Space &#124;&#124; Ojai, CA
2023&#38;nbsp; Carbon Copy, Two-person Exhibition with Joshua G. Stein curated by Kitty Ross, AB Projects&#38;nbsp; &#124;&#124; Los Angeles, CA
2020&#38;nbsp; Collabiosis, Solo Exhibition, The Blue Parrot&#38;nbsp; &#124;&#124; Chicago, IL2020 Encyclia Imagosis, Solo Exhibition, Paris London Hong Kong&#38;nbsp; &#124;&#124;&#38;nbsp; Chicago, IL 
2019 The Issue You Mentioned Earlier, in collaboration with Alberto Ortega-Trejo, Space P11
Gallery &#124;&#124; Chicago, IL



Group Exhibitions

2026 AV,&#38;nbsp;curated by Will Thomas and Christopher Noxon &#124;&#124;  Black Box Sessions &#38;amp; Ojai Music Festiva&#124; &#124;&#124; Ojai, CA2026&#38;nbsp;Reflect/Receive/Return, curated by Curatorial Studio Grand Valley State University&#38;nbsp;&#124;&#124; Grand Valley State University  &#124;&#124; Green Valley, MI2026 Wild Thing, curated by Pia Singh &#124;&#124; Arts of Life &#124;&#124; Chicago, IL

2026 Natural Death, curated by Dav Bell and Rino Kodama, Mendicino Art Center &#124;&#124; Mendocino, CA
2025 Hands, Head, and Heart,&#38;nbsp;curated by Carol Sutton Shaw&#38;nbsp;&#124;&#124; Ojai Valley Museum &#124;&#124; Ojai, CA
2024 In the Realm of Spiders,&#38;nbsp;curated by Cassandra C. Jones &#124;&#124;&#38;nbsp;Ojai Valley Museum &#124;&#124; Ojai, CA2024&#38;nbsp; Art in Nature Taft Artist Residency Exhibition &#124;&#124; Taft Gardens &#124;&#124; Ojai, CA
2023 Nicrocosms: Studies on Scavenging and Renewal, curated by Tracie Hayes &#124;&#124; Bodega Bay Marine Lab,CA2022 Fossilized and Realized:&#38;nbsp; La BreaTar Pits Video Festival,&#38;nbsp;LBTP&#38;nbsp; Mark Dion,&#38;nbsp;La Brea Tar Pits &#124;&#124; Los Angeles, CA 

2022 Dream in Deixis,Tufenkian Fine Arts Gallery &#124;&#124; Los Angeles, CA 
2022&#38;nbsp;

	
		
		
	
	
		
			
				
					Shifting Cultural Stories, whatsnextforearth.com, The Millennium Alliance for Humanity and the Biosphere (MAHB) Stanford &#124;&#124; online

2022 Biodiversity,&#38;nbsp; whatsnextforearth.com, MAHB Stanford &#124;&#124;&#38;nbsp; online
2022 Belief Systems,&#38;nbsp; whatsnextforearth.com, MAHB Stanford &#124; online
2021 &#38;nbsp; becoming - Feral, 

	
		
		
	
	
		
			
				
					Objet-a Creative Studio &#124;&#124; online
2021 &#38;nbsp;Making Kin—Worlds Becoming, curated by Andrew S. Yang, Center for Humans and Nature &#124;&#124; online
2021&#38;nbsp; &#38;nbsp;Sound Scene Fest: EMERGE, DC Listening Lounge, Hirschhorn Smithsonian,&#38;nbsp; Dock 5 Union Market&#38;nbsp; &#124;&#124; Washington DC 2021&#38;nbsp; &#38;nbsp;Surface Tension, curated by Pia Singh, Heaven Gallery &#124;&#124; Chicago,&#38;nbsp; IL 2020 Third Coast Disrupted Artists and Scientists on Climate, organized by Terracom, Glass Curtain Gallery &#124;&#124; Chicago,&#38;nbsp; IL 

2019&#38;nbsp; Die Prosperous, UGLY Gallery &#124;&#124; Chicago, IL

2019 &#38;nbsp;Art, Science, &#38;amp; Culture Initiative
Exhibition, University of Chicago Center for the Arts &#124;&#124; Chicago, IL
2019&#38;nbsp; SAIC MFA Thesis Exhibition - Sullivan Galleries &#124;&#124; Chicago, IL

2019&#38;nbsp; Inside/Outside, School of the Art
Institute of Chicago Dean’s Office &#124;&#124; Chicago, IL

2019 &#38;nbsp;Possibilities of Porosity, Kriti Gallery &#124;&#124; Varanasi, India




2018 &#38;nbsp;This is a Window, Ox-Bow School of Art
Gallery &#124;&#124; Saugatuck, MI




2018&#38;nbsp; You Have to Leave to Come Back,
Saugatuck Center for the Arts &#124;&#124; Saugatuck, MI

2018 &#38;nbsp;T-Shirt Show, Free Range Gallery &#124;&#124; Chicago, IL




2016 &#38;nbsp;Pressing Matters: Printmaking and Artist
Books, San Luis Obispo Museum of Art &#124;&#124; SLO, CA 2014 &#38;nbsp;Consilience
of Art and Science, Pence Gallery &#124;&#124; Davis, CA




Publications and Special Projects




Awards,
Grants, and Residencies




2025-6 National Center for Ecological Synthesis and Analysis - Art Science Residency (NCEAS) &#124;&#124; Santa Barbara, CA
2025 Nemeth Art Center x Caroyln Glasoe Bailey Foundation Artist in Residence &#124;&#124; Park Rapids, MI
2023-24 Taft Gardens Artist 9-month Researcher in Residence &#124;&#124; Ojai, CA


2023 Taft Gardens Artist 3 month Researcher in Residence &#124;&#124; Ojai, CA
2021 Vashon Island Artist Residency &#124;&#124; Vashon, WA
2020 Stipend and long term residency, Global Forest Global Forest &#124;&#124; Black Forest, Germany (cancelled due to covid)
2020 The Blue Parrot&#38;nbsp; Artist in Resident &#124;&#124; Chicago, IL &#38;nbsp;
2019-20 Ex.Change:
Artist and Scientist on Climate Change Grant &#124;&#124; Chicago, IL

2019 EXPO Chicago, MFA
Graduate selected to represent School of the Art Institute of Chicago &#124;&#124; Chicago, IL


2018-19 Art, Science &#38;amp;
Culture Initiative Research Collaboration Grant, University of Chicago &#38;amp; School
of the Art Institute of Chicago &#124;&#124; Chicago, IL


2018&#38;nbsp; Ox-Bow School
of Art Fellowship &#124;&#124; Saugatuck, Michigan




2018&#38;nbsp; ACRE Artist
Residency &#124;&#124; Wisconsin




2016&#38;nbsp; The Great
Steward of Scotland Dumfries House Residency &#124;&#124; Aryshire, Scotland




2016&#38;nbsp; Anderson Ranch
Arts Center Presidential Scholarship &#124;&#124; Snowmass Village, CO




2016&#38;nbsp; Can Serrat Residency
&#38;amp; Grant &#124;&#124; El Bruch, Spain




2016&#38;nbsp; Fish Factory
Creative Center Residency &#124;&#124;&#38;nbsp; Stöðvarfjörður, Iceland




2015&#38;nbsp; Jan Shrem
and Maria Manetti Museum, Royal Drawing School fellowship &#124;&#124; London


2013&#38;nbsp; New York
Studio School of Painting, Drawing, and Sculpture scholarship Fine Arts Department UCD &#124;&#124; Davis, CA


2013&#38;nbsp; Wayne Thiebaud
Painting Award Fine Arts Department UCD &#124;&#124; Davis, CA









Publications + Reviews



				
			
		
	

2024&#38;nbsp;In the Realm of Spiders Review by Jane Handel &#124;&#124; The Vortex
2022 Perchance to Dream: Change in Deixis Review by Peter Frank &#124;&#124; Tzvetnik2022 Press release for E. Saffronia Downing and Faysal Altuzobar’s exhibition at Roots and Culture &#124;&#124; Chicago, IL2021&#38;nbsp; Featured Artist - City of Chicago Get Vaccinated Campaign, The Design Museum of Chicago + City of Chicago &#124;&#124; Chicago, IL
2021&#38;nbsp; An Experiment in Emergence: Viral Ecologies Looks Beyond the Pandemic,&#38;nbsp; review by Review - Resende Santos, Cecilia, New City Art Magazine. 05.2021. &#124;&#124; Chicago, IL

2020&#38;nbsp; Co-founder of&#38;nbsp; Viral Ecologies with Saffronia Downing &#124;&#124; digital publication

2020 Colossal &#124;&#124; online&#38;nbsp;
2019&#38;nbsp; Collective Terrain &#124;&#124; online publication &#124; Chicago, IL







2011&#38;nbsp; University of
California Davis Honey Bee Haven Interactive Collaborative Art Science Fusion
Project &#124;&#124; Davis, CA









Work and Related Experience





2021- present&#38;nbsp; Ceramic Studio Manager &#38;amp; Educator, Firestick Pottery &#124;&#124; Ojai, CA
2025 &#38;nbsp;Creature Constructions&#38;nbsp;visiting artist, AB Projects Studio Sessions &#124;&#124; online2022-25 Co-founder of Spore Space &#124;&#124; Ojai, Ca

2023&#38;nbsp; Wandering as Making visiting artist, AB Projects Studio Sessions &#124;&#124; online
2023 State of Ceramics: Field Guide to Destabilizing Objects, AB Projects &#124;&#124; online
2023&#38;nbsp; Visiting Artist Lecture for classes taught by Ali Williams, College of Creative Studies UCSB &#124;&#124; Santa Barbara, CA
2023 Visiting Artist Lecture Clay to Shard, College of the Atlantic &#124;&#124; Maine2022 Visiting Artist Lecture Professional Practices taught by Claire Pentecoste, School of the Art Institute of Chicago2020- 22&#38;nbsp;Co-founder of Viral Ecologies &#124;&#124; online

2021&#38;nbsp; Visiting Artist Lecture Knowledge Lab taught by E. Saffronia Downing, School of the Art Institute of Chicago2018/9 Interlink
Visiting Artist and Curator Graduate Coordinator, School of the Art Institute
of Chicago


2019&#38;nbsp; Visiting Artist
Lecture Sophomore Seminar: DIY Futures, School of the Art Institute of Chicago

2018&#38;nbsp; Teaching
Assistant Artist Books, School of the Art Institute of Chicago


2017&#38;nbsp; Teaching
Assistant Advanced Screenprint, School of the Art Institute of Chicago 

2016&#38;nbsp; Visiting
Teaching Assistant Artist in Residence Coordinator, Can Serrat Artist Residency-
June &#38;nbsp;




2015&#38;nbsp;Visiting
Artist Painting Department, University of California Davis 




2014/5 Education Programs Coordinator, Montalvo Arts
Center 




2015&#38;nbsp; Printmaking
and Painting Instructor, Montalvo Arts Center 




2014/5 Teaching Artist, Montalvo Arts Center 



2013/4 Artist Educator, Crocker Art Museum 












 
	



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		<title>News</title>
				
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		<pubDate>Mon, 16 Mar 2020 16:18:15 +0000</pubDate>

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EXHIBITIONS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;WORK&#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CV&#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; CONTACT &#38;amp;&#38;nbsp;ABOUT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎ NEWS  &#38;nbsp; &#38;nbsp; &#124; &#38;nbsp; &#38;nbsp; &#38;nbsp;


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Opening June 6

&#60;img width="2448" height="3168" width_o="2448" height_o="3168" data-src="https://freight.cargo.site/t/original/i/bc58a5c5579d3f0ae1c508110fb5d97056378eb6aeb4ba1dd516776114633c26/Arcane-Gallery-Natural-Death.JPG" data-mid="248192182" border="0"  src="https://freight.cargo.site/w/1000/i/bc58a5c5579d3f0ae1c508110fb5d97056378eb6aeb4ba1dd516776114633c26/Arcane-Gallery-Natural-Death.JPG" /&#62;

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Opening May 8

&#60;img width="1429" height="2000" width_o="1429" height_o="2000" data-src="https://freight.cargo.site/t/original/i/94e5a87d0c8fa02bb207130e050845c041471620e1892551540e383f678d18f8/wild-thing_NEW.jpg" data-mid="248192180" border="0"  src="https://freight.cargo.site/w/1000/i/94e5a87d0c8fa02bb207130e050845c041471620e1892551540e383f678d18f8/wild-thing_NEW.jpg" /&#62;
Wild Thing, Curated by Pia SinghIn recent months, witnessing the violence man has (once again) become all too comfortable inflicting on the other, I've been circling questions like, "What constitutes our shared sense of humanity?", thoughts like "how do we relate to one another amidst shared planetary crises?", knowing all too well that these are trained and habituated tendencies. In an attempt to "undo" or course correct the kind of speciesism that has led to the present disregard of life, Arts of Life has been kind enough to host WILD THING, a riotous attempt at unlearning anthropocentricism to recaliberate how we differentiate our capacities to hold shared empathy, joy, anger, and grief, this summer at Circle Contemporary.25 artists come together to signal the cost of human exceptionalism , with the humility and canniness to trace continuities between human-animal-natural sensitivities and capacities that exceed all that language can possibly hold.I hope you can join us for the opening this Friday, May 8th, from 5-8 pm at Arts of Life at 2010 W. Carroll Avenue. Alternatively, there will be a summer studio sale and celebration on May 21st.

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October 2025 Artist in Residence at Nemeth Art Center with Carolyn Glasoe Bailey Foundation
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&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/ab111ed39fcf2f63224e7959d8dc2fe2e1d8ff7e992f82c2adc612a9c70c2648/7B9E644E-9C78-45E6-966D-BE1BC472BA34_1_102_o.jpeg" data-mid="239223141" border="0"  src="https://freight.cargo.site/w/1000/i/ab111ed39fcf2f63224e7959d8dc2fe2e1d8ff7e992f82c2adc612a9c70c2648/7B9E644E-9C78-45E6-966D-BE1BC472BA34_1_102_o.jpeg" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/68cced0fe0bbd51223ac8efdfd119b27724589ba079dd24181ba08037f98cc9a/79FBBA21-31D0-44BC-83B2-4C6A6A8468A6_1_102_o.jpeg" data-mid="239223148" border="0"  src="https://freight.cargo.site/w/1000/i/68cced0fe0bbd51223ac8efdfd119b27724589ba079dd24181ba08037f98cc9a/79FBBA21-31D0-44BC-83B2-4C6A6A8468A6_1_102_o.jpeg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/ff40272deeea974bd65a2552b41fe94438ea71d390399e6018e3c8df5e7d9d49/410A805B-31D4-4F5F-BDD3-CC4F72167E42_1_105_c.jpeg" data-mid="239223146" border="0"  src="https://freight.cargo.site/w/768/i/ff40272deeea974bd65a2552b41fe94438ea71d390399e6018e3c8df5e7d9d49/410A805B-31D4-4F5F-BDD3-CC4F72167E42_1_105_c.jpeg" /&#62;
&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/9c01bf8075ec56a9b4e193af41649d34243cbfdc002c3f15279890e0c446045e/A041B852-960F-488B-AD5C-D9693B053494_1_105_c.jpeg" data-mid="239223147" border="0"  src="https://freight.cargo.site/w/1000/i/9c01bf8075ec56a9b4e193af41649d34243cbfdc002c3f15279890e0c446045e/A041B852-960F-488B-AD5C-D9693B053494_1_105_c.jpeg" /&#62;
&#60;img width="2360" height="1331" width_o="2360" height_o="1331" data-src="https://freight.cargo.site/t/original/i/eb67e6eb120bba9c025d057cf13f152444d9884e28f1d00542a8ea67fe3628dc/704E8C4A-D37E-4246-9C70-D558EF68A655_1_102_o.jpeg" data-mid="239223150" border="0"  src="https://freight.cargo.site/w/1000/i/eb67e6eb120bba9c025d057cf13f152444d9884e28f1d00542a8ea67fe3628dc/704E8C4A-D37E-4246-9C70-D558EF68A655_1_102_o.jpeg" /&#62;


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Tracing Ways&#38;nbsp;
Collaborative exhibition&#38;nbsp; with E. Saffronia Downing at Comfort Station
December 7- January 5, 2025
Opening Recember December 7th 4-7 pm

&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6c680cd192a5c337b63609d0a630c3671ff2e79750ef2af8fc5f80e3dcbeeb09/12.24_Opening-Reception.jpg" data-mid="223535427" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/6c680cd192a5c337b63609d0a630c3671ff2e79750ef2af8fc5f80e3dcbeeb09/12.24_Opening-Reception.jpg" /&#62;&#60;img width="612" height="792" width_o="612" height_o="792" data-src="https://freight.cargo.site/t/original/i/4350e856816d427ed4a40c65893b197b4297aacabf31dac9f1907953b8f1f9bb/12.24_Tracing-Ways_Downing-Hall.jpg" data-mid="223535180" border="0"  src="https://freight.cargo.site/w/612/i/4350e856816d427ed4a40c65893b197b4297aacabf31dac9f1907953b8f1f9bb/12.24_Tracing-Ways_Downing-Hall.jpg" /&#62;
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In the Realm of Spiders&#38;nbsp;
Exhibition review by Jane Handel in The Vortex

&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/8dc985d7068bb91ef9a9685f1b71e43bd7ea01b7fc872dcad1b96343ef64f3c5/ITROS---FIRST-PASS-3-29.jpg" data-mid="223536048" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/8dc985d7068bb91ef9a9685f1b71e43bd7ea01b7fc872dcad1b96343ef64f3c5/ITROS---FIRST-PASS-3-29.jpg" /&#62;

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In the Realm of SpidersGroup Exhibition&#38;nbsp; curated by Cassandra C. Jones at the
Ojai Valley Museum&#38;nbsp;
&#38;nbsp;
Opening Reception November 1st&#38;nbsp;October 24- December 8th


&#60;img width="1240" height="1771" width_o="1240" height_o="1771" data-src="https://freight.cargo.site/t/original/i/ccf4d78cc9a1d67e9a6f65d49ef5484f46d35b0e47103c309337afd85eba9a81/OVM-Spider_WebsiteFINAL.png" data-mid="219693524" border="0" data-scale="40" src="https://freight.cargo.site/w/1000/i/ccf4d78cc9a1d67e9a6f65d49ef5484f46d35b0e47103c309337afd85eba9a81/OVM-Spider_WebsiteFINAL.png" /&#62;

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Taft Art in Nature Artist Residency and Exhibition

My residency at Taft Gardens was extended for another 9-months to continue exploring insects in the gardens.&#38;nbsp;
Group Exhibition Opening: June 1, 2024&#38;nbsp; 11:00 AM &#38;nbsp;8:00 PM


&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/77bfbe7381b4692d4ad20f1fa9405d3bedeff895f38fae312e9480065c33c9c4/AIRrosemaryportrait-Taft.jpeg" data-mid="215524061" border="0"  src="https://freight.cargo.site/w/1000/i/77bfbe7381b4692d4ad20f1fa9405d3bedeff895f38fae312e9480065c33c9c4/AIRrosemaryportrait-Taft.jpeg" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/bccedbf6516156dd4c352cd1c72c0882f3dee7ad4f9703e6d988246d9e98b2c7/Taft.png" data-mid="215523927" border="0"  src="https://freight.cargo.site/w/1000/i/bccedbf6516156dd4c352cd1c72c0882f3dee7ad4f9703e6d988246d9e98b2c7/Taft.png" /&#62;
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Nicrocosms: Studies on Scavenging and Renewal
Group Exhibition at UC Davis Bodega Bay Marine Laboratory
RSVP here
Friday, June 16th, from 3pm to 7pm
S﻿aturday, June 17th, from 10am to 2pm

&#60;img width="1700" height="1700" width_o="1700" height_o="1700" data-src="https://freight.cargo.site/t/original/i/b737ece0bd6b7f6e2bcbce95f6c07e1f83367b13b513bdd3e6f6798e7191e510/flyer_instagram.PNG" data-mid="181411389" border="0"  src="https://freight.cargo.site/w/1000/i/b737ece0bd6b7f6e2bcbce95f6c07e1f83367b13b513bdd3e6f6798e7191e510/flyer_instagram.PNG" /&#62;
&#60;img width="2250" height="2250" width_o="2250" height_o="2250" data-src="https://freight.cargo.site/t/original/i/7f7ada7009bb5c3b7b28faff23eed0d40a501a6e0496943432c9cdda00bb1e16/sketches_instagram.PNG" data-mid="181411391" border="0"  src="https://freight.cargo.site/w/1000/i/7f7ada7009bb5c3b7b28faff23eed0d40a501a6e0496943432c9cdda00bb1e16/sketches_instagram.PNG" /&#62;

A﻿rtists include: Michele Burr, E. Saffronia Downing, Emily Gordon, Emily Goyins, Rosemary Holliday Hall, Ryan Hodge, Kelley O’Leary, Ofelia Viloche Pulido, Alejandra Ruiz Suárez

N﻿icrocosms: Studies on scavenging and renewal is an outdoor group exhibition showcasing the work of 9 artists engaging with themes related to the life history and ecological research on a scavenging beetle present at the site.

Beetles in the genus Nicrophorus, or burying beetles, search for a small carcass that they then bury in the soil in order to reproduce. A pair of burying beetles will work together to defend the rare, ephemeral, and high-nutrient carcass from microbial competitors and other interested organisms. They bury the carcass together and the female will lay eggs nearby. Once the carcass has been protected, buried, and preserved, both parents use the carrion to feed their larvae when they hatch.

In my research at the Bodega Marine Reserve, I use experimental chambers in the field to investigate the effects of temperature, competition, resource quality, microhabitat, and fog regime on burying beetle reproductive success. I have been calling these chambers nicrocosms, after Paul E. Hopwood et al.’s 2016 paper in Ecological Entomology. In this paper, nicrocosm is a play off of microcosm or mesocosm, an experimental set-up used in ecology to run controlled manipulations in small spaces that are still relevant to and part of the natural world. The root cosm, though, holds an even greater weight, meaning “world,” “order,” and “universe.” In this way, each nicrocosm in the field encapsulates an entire universe: an answer to an ecological question, the life’s work of an unseen beetle, birth and death, and the passing of time.

This exhibition will consist of works that serve as nicrocosms themselves, portals into the often overlooked and misunderstood world of scavengers. Burying beetles, in many ways, are the ultimate scavengers: they rely on and are adapted to a fleeting resource, and they play a crucial role in processing the dead so that those nutrients can be used again by the greater ecosystem. Whether using local and found materials, circular and sustainable processes, visual storytelling, or some combination, each artist provides a novel way to see and experience the living world we are within.
-﻿Tracie Hayes︎︎︎︎︎︎︎︎︎


Wandering as Making&#38;nbsp;
July Studio Session with AB Projects&#38;nbsp;

&#60;img width="790" height="461" width_o="790" height_o="461" data-src="https://freight.cargo.site/t/original/i/ef2acfb0b4ea82abede127d6a3b20828307a55f6d5dfc26db58ec92777fa48b3/Screenshot-2023-05-03-at-9.17.45-am-1.png" data-mid="181411063" border="0"  src="https://freight.cargo.site/w/790/i/ef2acfb0b4ea82abede127d6a3b20828307a55f6d5dfc26db58ec92777fa48b3/Screenshot-2023-05-03-at-9.17.45-am-1.png" /&#62;
&#38;nbsp;I will be facilitating a studio session with AB Projects in July! Studio Sessions are an online platform where artists working in clay gather under the guidance of a lead artist to create material experiments centered around particular topics. It’s like having new studio mates with similar interests and concerns for a month: get together, get hands in clay, get messy hands around tea mugs as you collectively brainstorm about what-ifs and can-you-believes.
About the Wandering as Making session:&#38;nbsp;
“The rhythm of walking generates a kind of rhythm of thinking and the passage through a landscape echoes or stimulates the passage through a series of thoughts. This creates an odd consonance between internal and external passage, one that suggests the mind is also a landscape of sorts and that walking is one way to traverse it… Walking can also be imagined as a visual activity, every walk or tour leisurely enough both to see and to think over the sights, to assimilate the new into the known.”

– Rebecca Solnit, Wanderlust: A History of Walking

In this Studio Session we will explore how the act of wandering creates rhythms, repetitions, and relations that form research pathways. The word ‘research’ comes from Old French ‘recercher’, "to seek out, search closely," and from Latin circare "to go about, wander, traverse, to wander hither and thither, to circle.” Through wandering, a multitude of relations and stories on this earthly clay crust emerge. We will consider meandering as making and question how we observe, collect, trace, and relate to the bodies and landscapes we inhabit. We will invite chance and follow with care as we, according to Pauline Oliveros, “walk like your feet are ears.”
Register hereThis session is scheduled for Sundays, July 9, 16, 23, 30 from 4-6pm PST (that’s Los Angeles time).
Registration is $250 and includes all four sessions.
Participants gather via Zoom.

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State of Ceramics - online discussion
Field Guide to Destabilizing Objects

online registration - https://www.a-bprojects.com/state-of-ceramics

State of Ceramics is an ongoing series of discussions centered around evaluating the present and future of the ceramics field. Participants are encouraged to share their unique perspectives and voices during these open and inclusive dialogues. This is an opportunity for us to take responsibility for how our field is shaped.
In this collective conversation we will generate a Field Guide to Destabilizing Objects. Although a field guide is usually written from a point of encyclopedic authority, we aim to develop an alternative format in which we ask questions, suggest methodologies, and stake out positions from which we can embrace roles of uncertainty so as to best learn from the materials that surround and support us.

Many practitioners focus upon the completion of an object (and often its end point as a marketable object) but the materials and parts of the land with which we choose to work are not finite; they are part of larger systems and histories, and therefore the objects we make have the capacity to tell larger stories. By following and observing the trajectory of materials, we investigate whether the unstable and uncertain process of engaging with ceramics (in an unstable and uncertain world) can be transcribed into open-ended objects and, in turn, expand the approach of the broader ceramics field.︎︎︎︎︎︎︎︎︎
Artist Researcher in Residence at Taft Gardens 2023Ojai, CA

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Carbon Copy&#38;nbsp; Exhibition at AB Projects, 2023

&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/272bd0911c84825c9446a8295bd6935c00cc813df67f2fd7e85628f45f801cd7/CarbonCopyExhibitionPost3.jpg" data-mid="166855918" border="0" data-scale="59" src="https://freight.cargo.site/w/750/i/272bd0911c84825c9446a8295bd6935c00cc813df67f2fd7e85628f45f801cd7/CarbonCopyExhibitionPost3.jpg" /&#62;

Two-person exhibition with Joshua G. Stein ( Radical Craft) curated by Kitty Ross at AB Projects.
January 14- May 201206 Maple Ave., #540, Los Angeles CA
Open Hours: Wednesdays 2-5 pm or by appointment
Months of conversations between artists Rosemary Holliday Hall, Joshua G. Stein (Radical Craft), and guest curator Kitty Ross revolved around notions of material in geologic, biologic, architectural, atmospheric, and ceramic iterations.

If the landscape consists of the earth and the atmosphere, architecture exists between the two. Material particles—animal, vegetable, and mineral—move between these realms, blurring the boundaries of each. Hardened compounds like limestone were once living creatures. Hermit crabs collect minerals and objects from their surroundings to shield their bodies in a protective enclosure. Humans dig vast pits to harvest materials to erect buildings of the very materials upon which their architecture stands. The cavities are then filled with debris, either deliberately or via the ongoing movement of particles, and the pit becomes a mound. Birds swallow gastroliths as a mechanism for grinding food in their gizzards. Whales, seals and crocodiles are also known to swallow gastroliths, perhaps to serve as ballast. The soft body of an oyster transforms mineral irritants into pearls. Conversely, body ‘stones’ such as gallstones, bladder stones and kidney stones are painful formations of somatic minerals. The human body is geology and, accordingly, we humans are geologic agents.

This exhibition is a poetic examination of the transference, atomization and tracing of materials over time, and a means of questioning how we live, build, make, and evolve in the Anthropocentric landscape.&#38;nbsp;
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&#60;img width="1125" height="1324" width_o="1125" height_o="1324" data-src="https://freight.cargo.site/t/original/i/5d19bddb339116d357ca886ade38656442fcc998af5707c890a426ad91d13c8c/IMG_9457-2.jpg" data-mid="160095062" border="0"  src="https://freight.cargo.site/w/1000/i/5d19bddb339116d357ca886ade38656442fcc998af5707c890a426ad91d13c8c/IMG_9457-2.jpg" /&#62;
&#60;img width="1125" height="1307" width_o="1125" height_o="1307" data-src="https://freight.cargo.site/t/original/i/25e8fd4e33e2739d92257baa3c3c460826a2391292f62594d9d00af86e3d8971/IMG_9458.jpg" data-mid="160095063" border="0"  src="https://freight.cargo.site/w/1000/i/25e8fd4e33e2739d92257baa3c3c460826a2391292f62594d9d00af86e3d8971/IMG_9458.jpg" /&#62;
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Elizabeth Herring and I opened&#38;nbsp; Spore Space new art project space in Ojai, CA.&#38;nbsp;
221 E Matilija Street Ojai, CA

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DREAM IN DEIXIS Review by John David O’Brian Artillary Mag&#38;nbsp;
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PERCHANCE TO DREAM: CHANGE IN DEIXIS- Review by Peter Frank&#38;nbsp;Tzvetnik︎︎︎︎︎︎︎︎︎
DREAMS IN DEIXIS @ Tufenkian Fine Arts Gallery July 15- August 20

 
&#60;img width="1600" height="983" width_o="1600" height_o="983" data-src="https://freight.cargo.site/t/original/i/eca59d23ce42853824ad962c877bfa0aaf2b2f8dfe2d2d32c5e9269087d81cea/Tufenkian-Dreams-in-Deixis-Instillation-15.jpeg" data-mid="150884934" border="0"  src="https://freight.cargo.site/w/1000/i/eca59d23ce42853824ad962c877bfa0aaf2b2f8dfe2d2d32c5e9269087d81cea/Tufenkian-Dreams-in-Deixis-Instillation-15.jpeg" /&#62;Tufenkian Fine Arts is pleased to announce, Dreams in Deixis, a group exhibition curated by Ava Burnes featuring artworks by Claire Chambless, Sessa Englund, Lara Joy Evans, Rosemary Holliday Hall, Isabella Kressin, Amelia Lockwood, Carlotta Lücke, and Kira Scerbin. The exhibition will be on view from July 15th through August 20th, 2022, with an opening reception to be held on Friday, July 15th from 6:00 pm to 9:00 pm.

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&#60;img width="2400" height="1256" width_o="2400" height_o="1256" data-src="https://freight.cargo.site/t/original/i/096403eb314277605f1561e9108e7c30d30ec3c4b3da1714bbbd3445014d6bcc/Feral-LAunch-100.jpg" data-mid="138489381" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/096403eb314277605f1561e9108e7c30d30ec3c4b3da1714bbbd3445014d6bcc/Feral-LAunch-100.jpg" /&#62;

Order becoming-Feral book online at: &#38;nbsp;becoming.ink Digital collection:&#38;nbsp;becoming.ink/feral-digital-collection/“becoming—Feral is a creative research publication which aims to investigate the complex relationships between human/other-animals and the shifting categories of wild/feral/domestic, set within landscapes constantly being altered by global transformations of climate and capitalism. We are interested in exploring reciprocal and responsive multispecies reactions to the act of becoming-Feral.

In addition to a print edition, we will be launching a digital companion collection to present multimedia contributions in the form of audio works, video art and photographic essays.”


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&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/fdf3fa594b7ec56d4d929e9864554641b5918d39f5137e2a78ed364f4e16f082/Making-Kin-graphic_horizontal_Christa-Donner_Grass-Ritual.jpg" data-mid="120351029" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/fdf3fa594b7ec56d4d929e9864554641b5918d39f5137e2a78ed364f4e16f082/Making-Kin-graphic_horizontal_Christa-Donner_Grass-Ritual.jpg" /&#62;

New online exhibition Making Kin—Worlds Becoming. I’m thrilled to be part of this exhibit that brings together a thoughtful community of artists to explore our deep interconnections with the living world. Curated by Andrew S. Yang, the exhibit offers promiscuous possibilities for new intimacies and emerging relations with the human and more-than-human world—as well as the wonders, understandings, and complications those acts entail.&#38;nbsp;

www.makingkin.net

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PERFORMANCE&#38;nbsp; - June 2021
((( de&#38;nbsp;︎ composition )))interpretations&#38;nbsp; performed by Luke Stewart, Nik Francis, Sarah Marie Hughes, Corey Thuro, and Nate Scheible


&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/defdff55c225442871beb94abf65c4652d5f16874be0438eead4743bcf317aad/Sound-Scene-2021-Instagram-Post-Square.jpg" data-mid="112538246" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/defdff55c225442871beb94abf65c4652d5f16874be0438eead4743bcf317aad/Sound-Scene-2021-Instagram-Post-Square.jpg" /&#62;


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Artist in Residence at Vashon Island Artist Residency May-June 2021
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ec8e6b78800167c86fbea3c1b9a3c04a01c587d2aeed913f919ace28306b30fc/Rosemary-at-work_2.jpg" data-mid="112549182" border="0"  src="https://freight.cargo.site/w/1000/i/ec8e6b78800167c86fbea3c1b9a3c04a01c587d2aeed913f919ace28306b30fc/Rosemary-at-work_2.jpg" /&#62;
( image: Todd Pearson)
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Review of Viral Ecologies on New City

An Experiment in Emergence: Viral Ecologies Looks Beyond the Pandemic , by Cecilia Resende Santos in New City&#38;nbsp;&#60;img width="485" height="652" width_o="485" height_o="652" data-src="https://freight.cargo.site/t/original/i/0d88dc84fb7a720dce83ade64db720239ca0dd08ac89b88670342971b80ae4df/Screenshot-2021-05-19-at-11.19.37-am.png" data-mid="108950613" border="0"  src="https://freight.cargo.site/w/485/i/0d88dc84fb7a720dce83ade64db720239ca0dd08ac89b88670342971b80ae4df/Screenshot-2021-05-19-at-11.19.37-am.png" /&#62;︎︎︎︎︎︎︎︎︎︎︎︎


VIRAL ECOLOGIES II &#38;nbsp;&#38;nbsp;
We’re ( Saffronia and i ) thrilled to release our second issue of Viral Ecologies– a digital platform created to explore the diverse systems and ecologies of our time. Through this platform, 8 new artists, writers, and researchers undertake a multipronged investigation of emergence. They explore how small parts of large systems give rise to patterns, ecosystems, and mutations. &#38;nbsp; 

&#60;img width="1039" height="537" width_o="1039" height_o="537" data-src="https://freight.cargo.site/t/original/i/20bb94b507bba26034568078b11e00c49be18c43c4d3ed99da819e751b0c9cf2/IMG_9388-3.jpg" data-mid="101568190" border="0"  src="https://freight.cargo.site/w/1000/i/20bb94b507bba26034568078b11e00c49be18c43c4d3ed99da819e751b0c9cf2/IMG_9388-3.jpg" /&#62;
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SURFACE TENSION group exhibition curated by Pia Singh @ Heaven Gallery
Chicago, IL
December 11 - January 24, 2021


&#60;img width="1500" height="2100" width_o="1500" height_o="2100" data-src="https://freight.cargo.site/t/original/i/7f073527f36c6a01689de35bc7490711e13bf9ea564ebd3dd32f35ac3f0e34cc/image0.jpeg" data-mid="95102508" border="0"  src="https://freight.cargo.site/w/1000/i/7f073527f36c6a01689de35bc7490711e13bf9ea564ebd3dd32f35ac3f0e34cc/image0.jpeg" /&#62;

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THIRD COAST DISRUPTED:&#38;nbsp; Artists and Scientists on Climate&#38;nbsp;Group Exhibition @ Glass Curtain GalleryChicago, IL
September 8- February 19, 2021 ( extended)&#38;nbsp;

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VIRAL ECOLOGIES ~ ONLINE PUBLICATION in collaboration with Saffronia E. Downing
VIRALECOLOGIES.US
&#60;img width="1053" height="721" width_o="1053" height_o="721" data-src="https://freight.cargo.site/t/original/i/a127c700aa3432ec67bee64eb210f5e948af916d98444ab1df5b52b5d38c43a1/VIral-Ecologies.png" data-mid="84509311" border="0"  src="https://freight.cargo.site/w/1000/i/a127c700aa3432ec67bee64eb210f5e948af916d98444ab1df5b52b5d38c43a1/VIral-Ecologies.png" /&#62;

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&#60;img width="745" height="745" width_o="745" height_o="745" data-src="https://freight.cargo.site/t/original/i/df1c75819e3f21990422d896ddabe8a386eee23899bc0e11c96bd3d04f3c385e/Colossal.png" data-mid="84509139" border="0"  src="https://freight.cargo.site/w/745/i/df1c75819e3f21990422d896ddabe8a386eee23899bc0e11c96bd3d04f3c385e/Colossal.png" /&#62;https://www.thisiscolossal.com/2020/05/rosemary-holliday-hall-chrysalises/
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Long-Term Artist Residency @ Global Forest, Germany POSTPONED 


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Artist Residency &#38;amp; SOLO Exhibition @ The Blue Parrot
Chicago, IL
March 5 &#38;amp; 8

&#60;img width="6552" height="4368" width_o="6552" height_o="4368" data-src="https://freight.cargo.site/t/original/i/8666d3d90a730c5e2003280bebb2d0bd954fdba3980cd6ae6ebc167e3a84ee18/Windows-full-L.jpg" data-mid="81737030" border="0"  src="https://freight.cargo.site/w/1000/i/8666d3d90a730c5e2003280bebb2d0bd954fdba3980cd6ae6ebc167e3a84ee18/Windows-full-L.jpg" /&#62;
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SOLO Exhibition @ Paris London Hong Kong
Chicago, IL
January 10- February 22http://parislondonhongkong.com/rosemary-holliday-hall/

(Works still on view in gallery office)

&#60;img width="811" height="643" width_o="811" height_o="643" data-src="https://freight.cargo.site/t/original/i/aeea8579029af88e25b9b9e8045ea9f3a32522d728df070b3e938d9965f1c0bc/Screen-Shot-2020-01-09-at-5.27.16-pm.png" data-mid="63694581" border="0"  src="https://freight.cargo.site/w/811/i/aeea8579029af88e25b9b9e8045ea9f3a32522d728df070b3e938d9965f1c0bc/Screen-Shot-2020-01-09-at-5.27.16-pm.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Tracing Ways</title>
				
		<link>https://rosemaryhollidayhall.com/Tracing-Ways</link>

		<pubDate>Wed, 18 Dec 2024 19:48:03 +0000</pubDate>

		<dc:creator>Rosemaryhollidayhall</dc:creator>

		<guid isPermaLink="true">https://rosemaryhollidayhall.com/Tracing-Ways</guid>

		<description>EXHIBITIONS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; WORK&#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CV&#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CONTACT&#38;nbsp; + ABOUT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;NEWS Tracing Ways2024clay, earthenware, player piano, porcelain, risograph print, stoneware, textile
Collaborative Exhibitionwith E. Saffronia Downing
 Player piano collaboration with Bret Schneider
Comfort StationChicago, IL 
image credit: Mikey Mosher





	


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&#60;img width="4223" height="2821" width_o="4223" height_o="2821" data-src="https://freight.cargo.site/t/original/i/3a22dfaeccb4d576ed208bf8dc5562a638faaf0fca4b7277099314069761354e/SD_RH_CS-53.jpg" data-mid="223542623" border="0"  src="https://freight.cargo.site/w/1000/i/3a22dfaeccb4d576ed208bf8dc5562a638faaf0fca4b7277099314069761354e/SD_RH_CS-53.jpg" /&#62;
&#60;img width="4208" height="2811" width_o="4208" height_o="2811" data-src="https://freight.cargo.site/t/original/i/ca9c58f3cde349654db09cdd9b50d795ae81f03e760ce2c90f0033330803a9b6/SD_RH_CS-28.jpg" data-mid="223542598" border="0"  src="https://freight.cargo.site/w/1000/i/ca9c58f3cde349654db09cdd9b50d795ae81f03e760ce2c90f0033330803a9b6/SD_RH_CS-28.jpg" /&#62;
&#60;img width="4221" height="2819" width_o="4221" height_o="2819" data-src="https://freight.cargo.site/t/original/i/198729132ab94e9cce21b0dd834857ca79ed4da0f402106b22bc9bd3a37dedc4/SD_RH_CS-56.jpg" data-mid="223542626" border="0"  src="https://freight.cargo.site/w/1000/i/198729132ab94e9cce21b0dd834857ca79ed4da0f402106b22bc9bd3a37dedc4/SD_RH_CS-56.jpg" /&#62;


 “Walking is how the body measures itself against the earth.”
– Rebecca Solnit, Wanderlust: A Brief History of Walking
Traces of movement, join and disperse– sneakers sink in soft soil, paw prints scamper across the sidewalk, paths of wood-boring beetles embroider a fallen tree. We mark our cohabitation as we criss-cross the continent. 

Tracing Ways, is a site-specific installation that draws attention to the tracks and traces of human and more-than-human cohabitants. Living on parallel coasts, collaborators Rosemary Holliday Hall and E. Saffronia Downing, convene at Comfort Station to weave together a collection of tracks gathered from their disparate environments. 
For these transient artists, Tracing Ways becomes a stopover, referencing Comfort Station’s history as a space for travelers to pause as they moved through the city. Using clay as a recording device, Downing and Hall capture and suspend the ever-flowing motion of beings against the earth.

&#60;img width="4156" height="2776" width_o="4156" height_o="2776" data-src="https://freight.cargo.site/t/original/i/0ebb53a7de11fc7ee34956afa5617c9ffc2f2d8dac54c7e7860b5537f2ef4089/SD_RH_CS-18.jpg" data-mid="223542588" border="0"  src="https://freight.cargo.site/w/1000/i/0ebb53a7de11fc7ee34956afa5617c9ffc2f2d8dac54c7e7860b5537f2ef4089/SD_RH_CS-18.jpg" /&#62;&#38;nbsp;
&#60;img width="4226" height="2823" width_o="4226" height_o="2823" data-src="https://freight.cargo.site/t/original/i/bfa99e6b8469b9b897934f9cb649a92d59fe4031b1b6300b4803953347abfb79/SD_RH_CS-15.jpg" data-mid="223542584" border="0"  src="https://freight.cargo.site/w/1000/i/bfa99e6b8469b9b897934f9cb649a92d59fe4031b1b6300b4803953347abfb79/SD_RH_CS-15.jpg" /&#62;
&#60;img width="4226" height="2823" width_o="4226" height_o="2823" data-src="https://freight.cargo.site/t/original/i/bdaa3103877d0e17685490188acf4cf16b8e69a177a7b5e8a88ee7154ed3ce59/SD_RH_CS-22.jpg" data-mid="223542592" border="0"  src="https://freight.cargo.site/w/1000/i/bdaa3103877d0e17685490188acf4cf16b8e69a177a7b5e8a88ee7154ed3ce59/SD_RH_CS-22.jpg" /&#62;
&#60;img width="4223" height="2821" width_o="4223" height_o="2821" data-src="https://freight.cargo.site/t/original/i/829f71741d3097d56d3ec7b6613c66b8653cb50291b6baafa6ece790eddacfe4/SD_RH_CS-24.jpg" data-mid="223542594" border="0"  src="https://freight.cargo.site/w/1000/i/829f71741d3097d56d3ec7b6613c66b8653cb50291b6baafa6ece790eddacfe4/SD_RH_CS-24.jpg" /&#62;
&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/350236e15f09089450cd1c19606cb941181d3f83268f4343403931a20fbefcbe/SD_RH_CS-27.jpg" data-mid="223542597" border="0"  src="https://freight.cargo.site/w/1000/i/350236e15f09089450cd1c19606cb941181d3f83268f4343403931a20fbefcbe/SD_RH_CS-27.jpg" /&#62;

 
Collaboration with Bret Schneider porcelian &#38;amp; player piano
A track feels like witnessing a ghost—an absent presence etched into the material landscape. In this performance, the path of burrowing beetles is transcribed into musical notation, then played by a player piano, as though by a spectral hand. .
 
</description>
		
	</item>
		
		
	<item>
		<title>Encyclia imagosis, Taphonomy</title>
				
		<link>https://rosemaryhollidayhall.com/Encyclia-imagosis-Taphonomy</link>

		<pubDate>Mon, 13 Jan 2025 18:08:06 +0000</pubDate>

		<dc:creator>Rosemaryhollidayhall</dc:creator>

		<guid isPermaLink="true">https://rosemaryhollidayhall.com/Encyclia-imagosis-Taphonomy</guid>

		<description>EXHIBITIONS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; WORK&#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CV&#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CONTACT&#38;nbsp; + ABOUT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;NEWS 

Encyclia imagosis, Taphonomy 2024metal &#38;amp; oxidized textile



Site-specific Installation Taft Gardens Art in Nature&#38;nbsp; Residency ExhibitionTaft Gardens Ojai, CA
image credit: Jules Branaman






	&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/86a58cdaf70f089bdce7fafea1d10ac3fda116260f6610439fbc5c3677bd055f/TaftGardensExhibit_45.jpg" data-mid="224681975" border="0"  src="https://freight.cargo.site/w/1000/i/86a58cdaf70f089bdce7fafea1d10ac3fda116260f6610439fbc5c3677bd055f/TaftGardensExhibit_45.jpg" /&#62;&#60;img width="2400" height="1640" width_o="2400" height_o="1640" data-src="https://freight.cargo.site/t/original/i/69d04da4a9738113bd7e044194901714ca4d211c2c0608f70ad352df1bf56149/TaftGardensExhibit_10.jpg" data-mid="224681977" border="0"  src="https://freight.cargo.site/w/1000/i/69d04da4a9738113bd7e044194901714ca4d211c2c0608f70ad352df1bf56149/TaftGardensExhibit_10.jpg" /&#62;&#60;img src="https://branaman.photoshelter.com/img/pixel.gif"&#62;Encyclia imagosis, Taphonomy; &#38;nbsp;a series of oxidizing chrysalis sculptures buried in leaf litter, like a moth pupa, emerge in spring marked by the passage of time, soils, and decomposers.


	 
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	</item>
		
		
	<item>
		<title>Transposing Bodies</title>
				
		<link>https://rosemaryhollidayhall.com/Transposing-Bodies</link>

		<pubDate>Thu, 19 Dec 2024 00:21:53 +0000</pubDate>

		<dc:creator>Rosemaryhollidayhall</dc:creator>

		<guid isPermaLink="true">https://rosemaryhollidayhall.com/Transposing-Bodies</guid>

		<description>EXHIBITIONS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; WORK&#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CV&#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CONTACT&#38;nbsp; + ABOUT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;NEWS 
Transposing Bodies2024
player piano, porcelain
Collaboration with Bret Schneider
Tracing Ways Exhibition Comfort StationChicago, IL 
image credit: Mikey Mosher





	



&#60;img width="4156" height="2776" width_o="4156" height_o="2776" data-src="https://freight.cargo.site/t/original/i/0ebb53a7de11fc7ee34956afa5617c9ffc2f2d8dac54c7e7860b5537f2ef4089/SD_RH_CS-18.jpg" data-mid="223556460" border="0"  src="https://freight.cargo.site/w/1000/i/0ebb53a7de11fc7ee34956afa5617c9ffc2f2d8dac54c7e7860b5537f2ef4089/SD_RH_CS-18.jpg" /&#62;&#38;nbsp;
&#60;img width="4226" height="2823" width_o="4226" height_o="2823" data-src="https://freight.cargo.site/t/original/i/bfa99e6b8469b9b897934f9cb649a92d59fe4031b1b6300b4803953347abfb79/SD_RH_CS-15.jpg" data-mid="223556452" border="0"  src="https://freight.cargo.site/w/1000/i/bfa99e6b8469b9b897934f9cb649a92d59fe4031b1b6300b4803953347abfb79/SD_RH_CS-15.jpg" /&#62;
&#60;img width="4226" height="2823" width_o="4226" height_o="2823" data-src="https://freight.cargo.site/t/original/i/bdaa3103877d0e17685490188acf4cf16b8e69a177a7b5e8a88ee7154ed3ce59/SD_RH_CS-22.jpg" data-mid="223556470" border="0"  src="https://freight.cargo.site/w/1000/i/bdaa3103877d0e17685490188acf4cf16b8e69a177a7b5e8a88ee7154ed3ce59/SD_RH_CS-22.jpg" /&#62;
&#60;img width="4223" height="2821" width_o="4223" height_o="2821" data-src="https://freight.cargo.site/t/original/i/829f71741d3097d56d3ec7b6613c66b8653cb50291b6baafa6ece790eddacfe4/SD_RH_CS-24.jpg" data-mid="223556476" border="0"  src="https://freight.cargo.site/w/1000/i/829f71741d3097d56d3ec7b6613c66b8653cb50291b6baafa6ece790eddacfe4/SD_RH_CS-24.jpg" /&#62;
&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/350236e15f09089450cd1c19606cb941181d3f83268f4343403931a20fbefcbe/SD_RH_CS-27.jpg" data-mid="223556484" border="0"  src="https://freight.cargo.site/w/1000/i/350236e15f09089450cd1c19606cb941181d3f83268f4343403931a20fbefcbe/SD_RH_CS-27.jpg" /&#62;

 


A track feels like witnessing a ghost—an absent presence etched into the material landscape. In this performance, the path of burrowing beetles is transcribed into musical notation, then played by a player piano, as though by a spectral hand. 
Field Notes:





&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/b1964477a13261c067db420acdf62052f515c32d808c6ba0d7d53a7f4a3320b6/2BC78719-8411-40DF-AB26-2E4F560CB88D.JPG" data-mid="223557223" border="0"  src="https://freight.cargo.site/w/1000/i/b1964477a13261c067db420acdf62052f515c32d808c6ba0d7d53a7f4a3320b6/2BC78719-8411-40DF-AB26-2E4F560CB88D.JPG" /&#62;
&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/0b82b25a66b51a4d780df5883791f5925ba56e31c719800ccdc81b9cc24530b2/CA3FB3AA-3572-4515-A2D6-986820F7FEEA.JPG" data-mid="223557221" border="0"  src="https://freight.cargo.site/w/1000/i/0b82b25a66b51a4d780df5883791f5925ba56e31c719800ccdc81b9cc24530b2/CA3FB3AA-3572-4515-A2D6-986820F7FEEA.JPG" /&#62;
.
 
</description>
		
	</item>
		
		
	<item>
		<title>Symmetrees</title>
				
		<link>https://rosemaryhollidayhall.com/Symmetrees</link>

		<pubDate>Thu, 19 Dec 2024 00:22:03 +0000</pubDate>

		<dc:creator>Rosemaryhollidayhall</dc:creator>

		<guid isPermaLink="true">https://rosemaryhollidayhall.com/Symmetrees</guid>

		<description>EXHIBITIONS  &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; WORK  &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CV  &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; CONTACT&#38;nbsp; + ABOUT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#124;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  NEWS


Symmetrees2024
oak leaves, Black Widow silk, brickIn the Realm of Spiders Exhibition&#38;nbsp;
Ojai Valley Museum&#38;nbsp;
 Ojai, CA

image credit: Mikael Jorgensen







	&#60;img width="4045" height="2702" width_o="4045" height_o="2702" data-src="https://freight.cargo.site/t/original/i/e116b2e435ae4e753acdb620daa57c907b67510400b8eb2a013cb6107b3e00ca/ITROS---FIRST-PASS-6-2.jpg" data-mid="223556663" border="0"  src="https://freight.cargo.site/w/1000/i/e116b2e435ae4e753acdb620daa57c907b67510400b8eb2a013cb6107b3e00ca/ITROS---FIRST-PASS-6-2.jpg" /&#62;&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/42d0003d204eddde3246e0fa15940388498e01e0bf7b036214c8e37993edfcab/Symmetrees.jpg" data-mid="223558364" border="0"  src="https://freight.cargo.site/w/1000/i/42d0003d204eddde3246e0fa15940388498e01e0bf7b036214c8e37993edfcab/Symmetrees.jpg" /&#62;

Symmetrees the urge to&#38;nbsp; try and make sense of&#38;nbsp; patterns, each oak leaf can look like a moth, a wing, an otherworldly being.
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